December 26, 2022

El renacer de una joya monumental


La reinauguración hace una década del coso taurino supuso un hito en la historia de Toro, este año sin la feria de San Agustín por el coronavirus

(laopiniondezamora.es 7-20-20)

Diez años han pasado de uno de los acontecimientos que han marcado la historia más reciente de Toro: la reinauguración de su histórica plaza de toros. Morante de la Puebla, Leandro y Cayetano conformaron el cartel de la corrida inaugural celebrada el 18 de julio de 2010 que, además de devolver al coso su más pura esencia taurina, se convirtió en un evento social que congregó en los tendidos y palcos a más de 3.000 personas. Las ferias de San Agustín de 1985 fueron las últimas en las que se celebraron festejos taurinos en el coso toresano y, el inexorable paso del tiempo, se convirtió en una seria amenaza para el inmueble construido a comienzos del siglo XIX y promovido por el Hospital General de Toro. Seis meses se prolongaron las obras de construcción del coso toresano que, junto con el Teatro Latorre y su liceo, constituyen uno de los más interesantes conjuntos de la arquitectura popular del país. El 18 de agosto de 1828 el afamado diestro de la época Francisco Montes Reina "Paquiro" fue el encargado de lidiar al primer astado que pisó el ruedo en la corrida inaugural, aunque a lo largo de la primera etapa de su historia, otras figuras del toreo demostraron su valor y arte en el coso toresano, tales como Antonio Chenel "Antoñete", "Frascuelo" o Antonio Ordóñez, entre otros.

En el año 1864 la plaza de toros fue adquirida por Custodio Rodríguez para cuatro toresanos influyentes de la época y uno de ellos, Gregorio Traver y Lozano, compró la propiedad a los otros tres socios que, posteriormente, pasó a manos de su hijo Mariano Traver quien, en 1934, la vendió al toresano Valeriano Cuadrado. Sus hijos y herederos, Valeriano, Francisco, Eduardo y Alejandro Cuadrado, gestionaron la plaza de toros hasta 1985 cuando cerró sus puertas, decisión que supuso el inicio de la decadencia de uno de los edificios más emblemáticos del patrimonio toresano. 16 años después, el entonces alcalde de Toro, Jesús Sedano, firmó un acuerdo con opción de compra sobre la plaza de toros con los hermanos Cuadrado y, el 23 de agosto, el Ayuntamiento materializó la adquisición del inmueble tras desembolsar 600.000 euros. En el año 2004 y con el apoyo económico de la Junta, se ejecutaron las obras de la primera fase de restauración de la plaza de toros que consistieron en consolidar las cubiertas, en las que se habían detectado hundimientos. Cuatro años más tarde la plaza de toros fue declarada Bien de Interés Cultural en la categoría de monumento, y comenzaron los trabajos de la segunda fase de rehabilitación, en la que se restauraron los cuerpos de escalera, de los pabellones de corrales y de los chiqueros originales, aunque también se consolidó el desolladero.

El proyecto se completó con la restauración de otros elementos destacados como los graderíos, pavimentos, acabados, pasos, barreras y el albero, aunque también se procedió a la apertura del callejón en un tramo cerrado por una propiedad particular y a la adecuación del vestíbulo principal del Teatro Latorre como acceso al recinto. La de Toro es una de las plazas más antiguas de España y durante la restauración se respetaron los materiales constructivos originales, tales como el tapial, el ladrillo, el adobe o la madera y por su estética, con tendidos y balconcillos cubiertos, recuerda a los antiguos patios de comedias. A más de 2,2 millones de euros ascendió la inversión realizada en la rehabilitación del inmueble para que pudiera volver a acoger festejos taurinos, aunque con el paso del tiempo también se ha convertido en el espacio idóneo para celebrar eventos culturales y en una de las "joyas" del patrimonio monumental que más interés despierta entre los turistas.

Durante una década, los aficionados han podido disfrutar de las corridas en honor de San Agustín, concursos de cortes o la tradicional "fuente de vino". No obstante, la plaza de toros también ha sido testigo de ilustres visitas como la realizada en 2012 por el Premio Nobel de Literatura, Mario Vargas Llosa, al que Toro rindió un homenaje por su férrea defensa de la tauromaquia y de momentos tan duros como la espeluznante cogida que en 2017 sufrió el diestro onubense David de Miranda que, tras caer sobre su cuello, quedó inconsciente en el albero. La caída provocó que el torero se fracturara cuatro vértebras y tuvo que someterse a un largo proceso de recuperación, aunque finalmente logró superar las lesiones y, un año después, volvió a Toro para salir por la puerta grande. La crisis sanitaria impedirá este año conmemorar el décimo aniversario de la reinauguración del coso con la feria taurina de las fiestas de San Agustín, aunque sí albergará durante el verano conciertos musicales o sesiones de cine al aire libre que permitirán a los toresanos reencontrarse con un espacio único que ocupa un lugar destacado en su corazón.

December 18, 2022

Old Spanish Days - fiesta and bullfights in Santa Barbara California


 (sbfiesta.org)

History of Fiesta

Santa Barbarans have long been proud of their city's heritage from Spanish founders and from the Spanish, Mexican and North American pioneers who first settled here and built the city. The tradition of colorful music, dance, and song together with a spirit of friendliness, hospitality and tolerance are part of this heritage which the Fiesta "Old Spanish Days In Santa Barbara" seeks to preserve and perpetuate.


Old Spanish Days in Santa Barbara

In the year 1924, two circumstances motivated the first Fiesta.

First off, there had for some time been a feeling among the business people of the city that Santa Barbara should have an annual summer event to attract and entertain visitors. The city had come to be a favorite place for winter tourists, but visitors had not been drawn to Santa Barbara in any considerable number during the summer months.

Secondly, in August of 1924, the Community Arts Association of Santa Barbara planned the opening of the new Lobero Theatre.The old historic theater founded by Jose (Giuseppe) Lobero had been condemned and unused for several years until 1922 when the CAA purchased the property and began remodeling the building under the Spanish-California architectural plans of George Washington Smith. The executive director of the Community Arts Association, Hamilton McFadden, called a meeting of businesspeople to plan a celebration to mark the opening of the new theater. He approached a merchants' association, and a committee was formed of which Charles E. Pressley was elected chairman. The interest of the city manager, Herbert Nunn, was enlisted.

The group began to formulate plans for the celebration, designing some activities including a parade, rodeo, family activities, bullfights, athletic and musical events, and, of course, a gala celebration at the theater filled with Spanish dancing on its opening night. As preparations were under way for this community event, Mayor Charles M. Andera declared fiesta week "one of festival and gaiety, during which period, which shall be known as 'Old Spanish Days,' the spirit of old Santa Barbara shall be lived again and again and the new Santa Barbara shall give way to the traditions of the city's founders", a time of homecoming for former residents and one of hospitality for guests.


1924 - The First Historical Parade

As mentioned previously, the original celebration was planned to include a parade.

The parade committee was headed by Dwight Murphy, a fancier and breeder of Palomino horses who had come to Santa Barbara County and purchased large ranch holdings in the area of San Marcos Pass. Approximately two months before the parade, Murphy was invited to attend a meeting with the city manager, Herbert Nunn, and was asked to arrange the details of the parade. The type of parade was left to Murphy's discretion, and he was allocated a budget of $200.00. He called together a group of community members including Francis Price, Sam Stanwood, Ed Borein, Harry Sweetser, James Rickard and Wilson Dibblee; they met several times before deciding on a historical parade presenting a living portrait of old Santa Barbara.

Price, Sweetser, Dibblee and Murphy met with members of the De la Guerra and Ortega families to obtain information regarding the early Spanish customs. After these meetings, various committees were appointed to arrange for costumes, floats, carriages, and horsemen. Service clubs, such as the Native Sons and Daughters of the Golden West, were invited to participate and to wear the costumes depicting the various historical periods. All of the floats were horse-drawn and built by representatives of the organizations riding on the float bed. Marching groups were secured to represent the Chumash Indians and the soldiers of Spain and Mexico.

Over the years, the character of the parade changed somewhat: the floats came to be drawn by motorized vehicles, more individuals and riding groups wearing their own or their organization's distinctive attire began to participate, and the number of marching band entries increased. Due to these changes, some feared that the historical character of the parade was in jeopardy of completely disappearing. In recent years, an effort has been made to deal with these concerns. The parade is now divided into two sections: the historical section, which has been carefully revised and is mainly presented on the floats depicting highlights of local heritage and history, and "Santa Barbara of Today", which includes the many other types of participation based in accord with the spirit and purpose of Fiesta.


La Fiesta Pequeña

Being that the most prominent Fiestas in the Spanish and Mexican tradition have always been closely connected with church celebrations, it is only fitting that Santa Barbara's annual Fiesta has included traditions with the historic Old Mission Santa Barbara. With the gracious involvement of the Franciscan Fathers, those traditions continue today.

The 1926 Fiesta held its sunset service at the Mission. A year later, restoration of the Mission from the damage it received in the massive earthquake of 1925 was completed, leading to a celebration on Wednesday evening as a prelude to the opening of Fiesta. There was an Ecclesiastical Procession along the Mission corridor up to the steps of the Mission and followed by a program including addresses by dignitaries, music, and dancing and ending with a reception. From 1927 to the present the tradition has not changed. Fiesta continues to open with this program at the Mission that has come to be called Fiesta Peque–a, "Little Fiesta."


La Misa del Presidente

In 1936, which marked the sesquicentennial of the founding of the Mission, a Solemn High Mass was sung on the first day of Fiesta at the Mission. The public, of all faiths, was invited to attend in traditional costume.

Today, La Misa Del Presidente is held on the second day of Fiesta in the morning and continues to be open to people of all faiths. In recent years, the Franciscan Fathers have held a reception in the Mission Garden following the mass.


El Mercado

El Mercado as its known in Spain and Mexico, or "the marketplace," has been the center of village and city life all over the world. However, as Santa Barbara had no Mercado, the gathering spot for the people of Santa Barbara had been the Presidio. During the many fiestas prior to the first Old Spanish Days Fiesta in 1924, booths were set up in various locations in the city where merchandise was sold and food and entertainment provided. These centers came to serve as the marketplace for the fiesta. This custom has continued and become an established part of Old Spanish Days.

For many years the Mercado took on a variety of personalities until 1949 when the foundation for the present mercado was laid. Rosario Andrea Curletti was in charge of the Mercado's that year and insisted all things having to do the Mercato be authentic. Robert Hoyt, a well-known architect, designed and constructed the booths reflective of true Mercado puestos and helped determine the rental to be charged to allow the Mercado to become self-supporting. For the first time each booth was sponsored by a non-profit or religious organization of the City of Santa Barbara and the revenue earned was to be used for their organization. The food, beverage, candy and merchandise sold was limited to the items that would be found in a Mercado of the Spanish and Mexican California period.

This tradition has continued over the years. Many booths at Mercado del Norte and Mercado De La Guerra are still sponsored by local charitable organizations with proceeds supporting their programs. The form of the booths has been standardized and updated over the years, not only for convenience but also to meet city health and safety ordinances. Entertainment is offered throughout the day and evening to provide an even more festive and enjoyable atmosphere.


Bullfights

Bullfighting has always been a part of the culture of California, and even more so in Santa Barbara. The topography and climate surrounding Santa Barbara attracted ranchers since the area was settled, and Spanish fighting bulls were soon being raised and bred along side Andalusian horses. 

The Plaza de Toros Santa Barbara was built soon after the mission was completed and has stood ever since, constantly going through renovations and meticulous upkeep that has made it the jewel of the California bullfight culture. 

Bullfights have been held since the beginning of Old Spanish Days, with a bullfight on horseback, or rejoneo, taking place on the first day of the fiesta, and then traditional bullfights with matadors taking place on the following days of the fiesta. (On Sundays two bullfights are traditionally held, a novillero sin picadors is held in the morning with a regular bullfight held in the afternoon.)


Noches de Ronda

Noches De Ronda "Nights of Gaiety" was first organized in 1922 at the home of Leontine and Arthur Verhelle with the assistance of William and Rosa Poole.

Members of the community were invited to the Verhelle home for an evening of music and dance performances by the Poole-Verhelle Dance Group. This group had previously been formed to preserve and perform the traditional music and dance of California with many of the members having performed in the dancing groups of La Primavera.

Over the years, the size of the party grew until the Verhelle yard could no longer accommodate the crowd. Due to the popularity of the event, Mayor Sam Stanwod invited the Verhelles and Pooles to move the event to the lawn of the Santa Barbara County Courthouse when it opened in 1930. It was then, with a crowd of 250-300, that Noches De Ronda gained a new and permanent home.

Originally Noches De Ronda was staged for the sheer joy of those participating, but in 1934, the format of the evening changed to accommodate the increased number of spectators. It then became less of an audience participation activity and more of a staged show or performance.

While the event now includes many numbers of varied songs, instrumental music, and dance, it has never lost focus on the original purpose of the 1922 gathering, continuing to present the traditional California songs and dances as the featured numbers.


Old Spanish Days Fiesta

In 1926 the group of merchants who had formed the first official "Old Spanish Days" committee and members of the parade committee met under the leadership of Dwight Murphy and established the present non-profit corporation of "Old Spanish Days Fiesta, Inc." Murphy was elected president and thus became the first "Presidente."

After the creation of a board of directors and an executive committee, the group undertook plans for Fiesta 1926, with the consensus of all the members that the celebration should continue the policy of presenting California traditions as exemplified in Santa Barbara's history. Many years later, the residents of Santa Barbara continue to preserve and celebrate the traditions of historical Santa Barbara through Old Spanish Days Fiesta!

December 17, 2022

Ivan Fandiño brinda a José Tomás


Ivan Fandiño brinda a José Tomás en León. (Spain)

Sucedió el 22 de Junio de 2014.

Fué la primera vez que torearon juntos y la última.

José Tomás se estrenaba en un cartel con un torero del Pais Vasco.

Acompañó en el cartel Juan Mora.

----------------

Llegar a ser figura del toreo es casi un milagro.

Pero al que llega, podrá el toro quitarle la vida; pero la gloria, jamás.

Cuadri, la nueva generación ganadera


 

¡quieto que no hay prisa!


 vaquero mexicano templando la embestida de un toro

Medina del Campo (Valladolid)


 Bello coso inaugurado en 1949.

Ganador


Los miembros de la Asociación Nacional de Fotógrafos Taurinos han decidido que la fotografía ganadora del III Concurso anual de la ANFT sea la realiza por Philippe Gil Mir. "La bravura saliendo del toril". Y a ti, ¿qué te transmite esta foto?

Este fin de semana se ha celebrado el III Concurso de Fotografía de la Asociación Nacional de Fotógrafos Taurinos. 76 fotografías de alta calidad con detalles, el toro en el campo, en la plaza o en la calle.

Es la salida de "Callejero", herrado con el nº 32, negro entrepelado bragado, nacido en 10/2016 de José Escolar Gil, lidiado por Octavio Chacón en Vic-Fezensac el 6 de junio 2022.

Según Phillippe:

“Salió en segundo lugar y da la casualidad que "Callejero" fue el que debió salir en quinto lugar pero el segundo no quiso salir del toril y se corrió turno.

Estuve tirado literalmente en el suelo con mi objetivo en la tronera del burladero más cerca del toril (suerte que las cuadrillas no lo usan en ese momento). Y estuve esperando mucho, pero muchísimo tiempo para cazar la salida y valió la pena. Llegó la recompensa.

Para rematar la anécdota, cuando llegó la hora en el quinto lugar de la corrida, él que debió salir en segundo lugar siguió sin querer ver la luz del día. Tras largos minutos de espera y negociaciones entre toreros, apoderado y autoridades, se decidió sacar el sobrero y ese toro no fue lidiado”.




December 4, 2022

El cartel más ‘gallista’ de Morante para la Historia


 (mundotoro.com)

Bien es sabida la admiración que Morante de la Puebla procesa a Joselito ‘El Gallo’, muy presente en la figura del matador de toros sevillano. La temporada 2022 del de La Puebla del Río ha girado en torno a la figura del ‘Rey de los toreros’ con el objetivo muy marcado de llegar a las 100 tardes como consiguió José en 1919. Dicha azaña del diestro de Gelves quedó registrada en un precioso cartel de seda con todos los paseíllos de ese memorable año. Y también quedará registrada la temporada 2022 de Morante de la Puebla en un cartel para la Historia.

Bajo la figura de Joselito ‘El Gallo’, Morante es protagonista de un cartel donde queda registrada todas las tardes de un año histórico, como ya escribió Mundotoro hace algunos días. Una muestra más de la enorme presencia de Joselito El Gallo en la trayectoria y el propio modo de vida de Morante de la Puebla que se le une a otras como el traje de corto que lució el de La Puebla del Río hace escasos días en el Club Taurino de Londres, la recuperación de varias suertes, la interpretación del par al quiebro o la adquisición de la mesa del considerado precursor del toreo hasta llegar a nuestros días.  

Morante de la Puebla ha acabado el año como líder absoluto del escalafón, con 100 paseíllos y tardes para el recuerdos en plazas como Sevilla y Madrid. Una temporada de máxima exigencia y responsabilidad que ha terminado con 84 orejas cortadas y dos rabos. 

https://www.mundotoro.com/noticia/el-cartel-mas-gallista-de-morante-para-la-historia/1666802

November 24, 2022

Spanish Fork plaza de toros

Thanks to a new job I have been driving by the Spanish Fork Utah rodeo arena quite a bit lately and every time I do I keep saying to myself how much it looks like a Plaza de Toros.

If you didn't know better you could easily confuse it with a bullfight arena. Technically, I would imagine they have had the American rodeo version of bullfighting there before, the ones that use, as the rodeo crowd would say, "Mexican fighting bulls".

I'm going to have to pay more attention now, if a bullfight competition does come up in Spanish Fork I'm going to have to check it out. I'd love to see a toro bravo on Utah soil.





Spanish Fork celebrates new rodeo arena

(haroldextra.com 7-20-12)

Mayor G. Wayne Andersen and the crowd in attendance at the new Spanish Fork arena ribbon cutting shouted, “Let’s rodeo!” The ribbon cutting was just one of the events held to celebrate the opening of the new arena for the 70th Annual Fiesta Days Rodeo.

The original arena was torn down in September following a $3 million donation from an anonymous donor, which was given to Andersen with one stipulation — that the arena be completed for the July 2012 Fiesta Days Rodeo.

And the city, contractors and workers have been working non-stop over the past few weeks to ensure that the arena would be complete and ready for the rodeo.

The new arena now boasts roomier and more comfortable seating for 8,500. There are more box seats and more covered seating. There are three concession stands in the arena in various areas and more restrooms.

“I think the neatest part is the curbside appeal,” said Dale Robinson, Spanish Fork director of parks and recreation. “It looks like a stadium and less like you are walking into bleachers. The ornamental fencing and the greenscape make it look great.”

Another added benefit is that there isn’t a bad seat in the house.

“There are no obstructed views,” Robinson said. “In our old arena the lower seats were always blocked by people walking by. The seating is also spacious. We have increased the size of the seats and the leg room.”

There also is a catwalk along the top of the entire arena, allowing someone to get anywhere in the arena by foot.

“When I found out in August of 2011 that we would be building a new arena, we wanted to build something that would make people go ‘wow,’ ” said Steven Money, member of the 2012 rodeo committee. “That is a ‘wow’ arena. Everyone did a tremendous job and I am extremely proud to be a part of it.”

A special bronze statue entitled “Cowboys Pride” sits in front of the arena and was donated by David Argyle, a local artist.

“This is a beautiful arena,” Argyle said. “The arena is as much a work of art as any piece of art and I feel humble to have my piece sitting here.”

Prior to the ribbon cutting a sponsor luncheon and honoring of inductees into the Hall of Fame was held. Delos Huff, Bill Crump, Lewis Feild and Redrock the Bull were inducted into the Hall of Fame. Huff and Crump were instrumental in starting the Diamond Fork Riding Club, which organizes the rodeo each year. Lewis Feild was honored for helping to elevate the Fiesta Days Rodeo to where it is today. Redrock the Bull was honored for helping move the rodeo into the limelight. Each year, new inductees will be added to the Hall of Fame.

“We couldn’t have done this without the generous support of Doug and Carol Ford,” Andersen said. “This is the finest outdoor arena in the country. It is a state-of-the-art facility.”

The Spanish Fork Fiesta Days Rodeo presented by Mountain View Hospital will be held today through Tuesday. Tickets are already sold out for tonight’s and Saturday’s shows. Tickets are still available for Monday and Tuesday, but are going quickly. For more information, please visit www.spanishfork.org.

https://www.heraldextra.com/news/2012/jul/20/spanish-fork-celebrates-new-rodeo-arena/

$3M donation gives Spanish Fork rodeo arena a lift

(sltrib.com 8-30-11)

Replacing the grandstand at the Spanish Fork Fairgrounds rodeo arena has been on this Utah County city's to-do list for years, with little sign of getting to the top.

"With the downturn in the economy, we weren't able to do [the project], said Mayor G. Wayne Andersen.

But a resident's $3-million donation has catapulted the project to the top of the list, Andersen said. Spanish Fork is in the process of soliciting bids for contractors to remove the aging wood-and-steel stands and replace them with a new structure, which will seat 2,000 more people in the Lance Money Arena.

The benefactor attached two strings to the gift: He had to remain anonymous and the project has to be done in time for next year's Fiesta Days rodeo, an event sanctioned by the Professional Rodeo Cowboys Association.

"One of the conditions was he wanted to be sitting in his new box at the rodeo next year," Andersen said. The only clue the mayor would give to the benefactor's identity is that he is a Spanish Fork resident who loves rodeo.

Councilman Richard M. Davis said the benefactor made the contribution shortly after this year's Fiesta Days in late July.

"He's an honorable citizen of Spanish Fork," Davis said.

Andersen said the money will go toward replacing the 6,500-seat grandstand, while Utah County — whose fair takes place at the Spanish Fork facility — will kick in funds for new restrooms and a concession stand. The grandstand was built in 1945, with two additions in the past 25 years. Andersen said the structure is starting to show its age, and audiences find the seating cramped. The new arena will seat 8,500, Andersen said. The city has consulted with livestock show and rodeo professionals on what improvements should be made in a new arena.

"They said, 'You guys have the best arena in the country, and keep it so the crowd is on top of the action,' " Andersen recalled.

Utah County Commissioner Larry Ellertson, whose oversight includes the Utah County Fair, lauded the donation.

"Apparently these people have the resources," he said, "and want to invest them in the community."

Ellertson said the donation will benefit not just Spanish Fork, but all of Utah County. The county and the city have agreed to share costs at the fairgrounds and use the facility as an equestrian center, as well as home to the county fair. Ellertson said the county will have to find a way to pay for the restroom and concession-stand improvements. He said the county may have to borrow money, with the goal of paying it off quickly. The arena houses livestock shows and rodeos, a well as the city's annual Fiesta Days rodeo in July. In 2010, the rodeo became an official stop for the PRCA's Wrangler Million Dollar Silver Tour.

https://archive.sltrib.com/article.php?id=52464332&itype=CMSID

Spanish Fork’s Fiesta Days to blend the past and present

(deseret.com 7-15-97)

This year's Fiesta Days celebration offers an alternative to Utah County folks who prefer a community event with historical significance, says Mary-Clare Maslyn, assistant city manager.

The celebration runs July 21-24 and includes a Professional Rodeo Cowboys Association rodeo and a visit from the president of Iceland.Spanish Fork's Fiesta Days this year will feature Olafur Grimsson, Iceland's president, as guest of honor in the Fiesta Days parade and rodeo on July 24. The parade draws over 100 entries and this year will include replicas of pioneer handcarts in addition to floats and high school bands.

"It's Americana at its best," said Maslyn.

Spanish Fork has close ties to Iceland because many of its residents are descendants of early pioneers from Iceland. Last year some of those descendants returned to Iceland and were reunited with distant relatives.

Grimsson's visit will be the first time a head of state has visited Spanish Fork, according to the Icelandic Association of Utah. He is expected to be present when a wreath is placed at the Icelandic monument in honor of those early pioneers. His itinerary also includes a luncheon with city officials, a tour of the cemetery where Icelandic graves will be marked and a tour of Icelandic homes that are still standing.

Grimsson will speak at a community fireside July 27 at 7 p.m. at the LDS Spanish Fork Stake Center, 1006 E. 200 South. Other speakers will be Elder Joseph B. Wirthlin of the Quorum of Twelve Apostles of the LDS Church and Janette Beckham, the church's Young Women's general president. Elder Wirthlin dedicated Iceland to missionary work, and Beckham is of Icelandic descent.

Grimsson is also expected to meet with the LDS Church's First Presidency on Monday and tour both Temple Square and Welfare Square.

Utah's pioneer heritage can be seen in many forms during this year's celebration. New this year is a pie baking contest, which is tied to the city's pioneer heritage. "We still have to find judges for the contest," said Maslyn. "We don't think it will be too hard."

The Daughters of the Utah Pioneers will set up exhibits again this year at Hughes Pioneer Park. They will demonstrate pioneer skills, including quilting, butter making and soap making, said Maslyn. The park at 150 S. Main St. is home to two pioneer cabins with authentic furnishings.

Another popular event is the fine arts competition, which is open to artists in all ages working in all media. Anyone may enter, said Maslyn. It is not confined to Spanish Fork residents. The deadline to enter is July 24, the last day of the event, which like many Fiesta Days events is held at the City Park at Main and Center streets.

Citizen award winners will be presented at 3 p.m. said Melana Urianza, chairman of the fine arts competition. Residents are the judges for that award and must cast their ballots by 2 p.m.

All told, 28 events are planned, including a tennis tournament, 10k race and one mile fun run for children. A highlight, said Maslyn, is the car show, which in the past has drawn up to 10,000 spectators. Another highlight is the children's parade the evening of July 23, which in the past has drawn up to 2,000 children on parade. A children's activities tent at the park will be handled by the Spanish City Youth Council.

Most events are free, noted Maslyn, with the exception of the rodeo, mud races and community theater, where "Peter Pan" will be performed at the Spanish Fork High School auditorium.

Spanish Fork's 55th annual rodeo will be held each night at 8 at the Spanish Fork Fairgrounds. Events include saddle bronc riding, steer wrestling, team roping, bareback riding, calf roping and bull riding. It will also include a children's event - mutton bustin'. Children ages 5 through 7 who weigh 60 pounds or less will ride sheep for eight seconds.

https://www.deseret.com/1997/7/15/19323526/spanish-fork-s-fiesta-days-to-blend-the-past-and-present

November 17, 2022

Fallece en Arizona el torero norteamericano Miguel Stumer ‘Miguelito’


Formado en el Perú, el que fuera novillero llegó a actuar en España, Francia, México y otros países sudamericanos

(por mundotoro.com 11-17-22)

El novillero y torero norteamericano Miguel Stumer «Miguelito» falleció el pasado domingo 13 de noviembre en la ciudad de Mesa, en Arizona (EEUU).

Hijo del arqueólogo Louis Stume, Miguelito dio sus primeros pasos en el mundo del toro e inició su andadura profesional en tierras peruanas, aficionándose a los toros mientras su padre realizaba estudios en las huacas preincas sitas dentro de las dehesas peruanas de Salamanca y Chuquizongo.

Según informa perutaurino, hizo su presentación en la plaza de toros de Acho (Lima) el 3 de Julio de 1960, actuando como aficionado en la corrida que torearon «El Nene», Paco Céspedes y Luis Sánchez «Sanchito». El Libro «Historia de la Tauromaquia en el Perú» cita dos actuaciones de importante referencia en las que actuó Miguel Stumer el año 1961 y que fueron coincidentes con la presentación en Acho de las ganaderías de Salamanca y la de El Pinar. Además, el 12 de noviembre de ese mismo año, en el llamado Festival de la Navidad actuó al lado de los matadores españoles Gregorio Sánchez, Jaime Ostos, Antonio Borerro «Chamaco», José Maria Clavel y el portugués José Julio.

Hizo periplo en España actuando en diversas plazas de nuestro país, además de pisar algunos ruedos de Francia, México y otros países sudamericanos para posteriormente disfrutar el retiro en Arizona (Estados Unidos), desde donde ha participado en tertulias, tientas y festejos «a la portuguesa» de los que se organizan en los ranchos de California.

El destino de dos figuras del toreo


 

Love the jacket


 "Si no hubiera mujeres en la plaza no merecería la pena vestirse de torero" (Luis Miguel Dominguín).

November 6, 2022

Toro de D. José Escolar


Después de una desilusionante temporada, con plazas de primera reducidas a cenizas en cuanto a rigor y seriedad, con Madrid convertida en un basurero donde ha bajado la seriedad del toro, la casta y la emoción, solo nos queda el refugio del toro de la calle.

La salvación de la Tauromaquia pasa por las comisiones de aficionados, que son los que miran por y para el toro.

En la imagen, Cortinero-47 de D. José Escolar, exhibido en Lliria.

Decían que no había toros para plazas de primera.

Foto Sergio Lopez

Ole doctor


 

FINCA BELLALUCÍA, los caras blancas


 

Jackie Kennedy in Sevilla


Imagen para la historia Jackie Kennedy y Cayetana de Alba con la mantilla Española durante una tarde de Toros en la Real Maestranza de Caballería de Sevilla.

Montera with its carrying case




 

"Torear es una necesidad, vivir es una circunstancia" - David Silveti



Charro mexicano banderillando


Charro mexicano banderillando a dos manos durante una corrida tradicional mexicana de exhibición en España.

Nótese lo astifino que es el astado.

José Miguel Arroyo en Saintes Maries de la Mer



fotos @ gregoryboyer

October 29, 2022

 

Juriquilla Mexico

Provincia Juriquilla, México , Viernes 28 de octubre de 2022.

Pero según los mismos cuatro de siempre "los toros no interesan".

 

October 30, 2022

Torear


 

Julio Iglesias y Enrique Ponce

 

Julio Iglesias. Es el artista vivo que más discos ha vendido en todo el mundo y el primer artista español que recibió el Grammy honorífico a toda su carrera. Lo vemos recibiendo un brindis de Ponce en Málaga.

October 23, 2022

Morante 100 corridas 100 en la presente temporada


Por Jorge García DELGADILLO 

Algunas metas en la vida son alcanzables y el presente año José Antonio Morante Camacho, mejor conocido como “Morante de la Puebla” se propuso realizar una campaña europea que le permitiera realizar, por primera vez, en sus 25 años de matador de Toros, llegar al mágico número de 100 Corridas en una Temporada. 

La decisión se veía venir desde el año pasado, donde aceptó lidiar algunos encastes de los llamados minoritarios y otros duros, lo cual inclusive motivó el rompimiento con la casa de Apoderamiento de Toño Matilla, para tener la libertad de que ha gozado durante este año. 

No sólo rompió con su apoderado sino que rompió cánones propios de las figuras del toreo modernas, al aceptar lidiar encastes olvidados, duros, minoritarios y  ganaderías que no torean las  figuras, revive suertes antiguas, pega las verónicas más bellas del mundo, se muestra  como una gran figura del toreo con los toros peligrosos, desdeña lo que no enviste, pega un gran petardo, es el más malo para matar, se viste estrafalario, inventa una faena con un animal al que nadie da nada, pagréguele lo que ud guste.

Para su corrida No 100 compartirá cartel con Emilio de Justo, Ángel Téllez y el novillero Marco Pérez, el próximo sábado 22 de octubre en 

la localidad abulense de Arenas de San Pedro. Los Toros serán de dos ganaderías que han dado buen juego durante la presente temporada, Victoriano del Río y El Pilar.

September 15, 2022

Día Nacional del Charro en México ayer

En 1894, charros mexicanos presentaron por primera vez su habilidad y destreza fuera del país, en Nueva York, y en 1900 hubo un espectáculo de charrería mexicana en París, Francia.

En 1921, surgió la primera asociación de charros, llamada "La Nacional", en el entonces Distrito Federal, posteriormente nacieron otras en San Luis Potosí y el Estado de México. En 1953, se fundó la Federación Nacional de Charros.

Todo esto llevó a que en 1934, el entonces presidente de la República, General Abelardo L. Rodríguez, instituyera el Día Nacional del Charro en México, para reconocer por decreto a quienes participan el arte de la charrería.

El día elegido para el festejo fue el 14 de septiembre, para que los charros tuvieran su festejo previo a la celebración del Grito de Dolores y de la Independencia.

Además, la charrería fue declarada por el General como el único deporte nacional por sus características y el impacto cultural.

 

September 4, 2022

65th Tradicional Corrida Goyesca








3rd of September (tarde)

Toros de Jandilla-Vegahermosa para Morante de la Puebla, Juan Ortega y Roca Rey

40th Corrida Rondeña de Rejones

 



3rd of September (matinal)

Toros de Fermín Bohórquez para Pablo Hermoso de Mendoza, Lea Vicens y Guillermo Hermoso de Mendoza