December 21, 2025

Clash over staging bullfights in Tijuana continues

(borderreport.com 12-18-25)

Tijuana City Manager Arnulfo Guerrero León told reporters earlier this week the city will not issue permits to a new bullring that is seeking to stage bullfights in the coming year. Promoters are accusing the city of “overstepping” its authority since these type of events are not illegal in the state of Baja California. But Guerrero León insists he has the jurisdiction to prevent bullfights from taking place.

“We have the discretionary capacity as a government to issue permits according to requirements we have listed, surely we’re going to prohibit bullfights,” he said.

On Tuesday, operators of Tijuana’s new bullring, which opened in May 2023, claimed a temporary judicial injunction suspending bullfights had come to an end. Bullfights in the city have not taken place since the summer of 2023.

“The suspension of bullfights has ended, there is no legal impediment now to prevent these festivities from returning to our state,” said a news issued by administrators with the Nuevo Toreo de Tijuana.

Animal rights activists like Frank Ortiz González said on the federal level in Mexico, bullfights are prohibited. He also stated the Baja California state code has determined that animals are sensitive beings and are subject to protection from harm.

“If someone in Tijuana dares to stage a bullfight, we will sue them and seek penalties under health and civic statutes,” Ortiz González said. “This could result in millions of pesos in fines.”

The people behind the proposed bullfights have said they will soon issue a formal schedule for bullfights to be held in 2026. As of Tuesday, according to Guerrero León, the city has not received any formal applications for permits involving bullfights in Tijuana, although he did say promoters can apply up to a few days leading up to an event.

https://www.borderreport.com/hot-topics/border-culture/clash-over-staging-bullfights-in-tijuana-continues/

Vuelven los toros a Tijuana tras la suspensión judicial que impedía la celebración de festejos taurinos

(mundotoro.com 12-8-25)

Tijuana y su plaza de toros ‘Nuevo Toreo de Tijuana’ volverán a tener toros. Así lo ha anunciado el empresario Manuel Bouser que, a través de un comunicado, se ha hecho eco de la noticia sobre la sus pensión jubila que impedía la celebración de corridas de toros en la ciudad mexicana. Un triunfo más de la tauromaquia en tierras aztecas.

En el comunicado también ha hecho referencia a que, en los próximos días, se convocará una rueda de prensa para presentar de manera oficial la temporada taurina de Tijuana.

El comunicado oficial es el siguiente:

‘Recientemente se desechó el recurso de revisión que sostenía la suspensión de las corridas en Baja California. Con lo anterior, no existe impedimento legal para que los festejos taurinos regresen a nuestro estado. Nuestro reconocimiento y felicitación al equipo jurídico del «Nuevo Toreo», cuya labor fue determinante para lograr este resultado’.

‘En próximos días, la empresa convocará a una conferencia de prensa para anunciar de manera oficial la Temporada Tijuana 2026’.

https://www.mundotoro.com/noticia/vuelven-los-toros-a-tijuana-tras-la-suspension-judicial-que-prohibia-la-celebracion-de-festejos-taurinos/1909692

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The Osborne bull — the most famous bull in Spain


(by Janet Christian medium.com February 12, 2023)

Once upon a time, thousands of billboards lined the highways in Spain. Over 200 of those were El Toro de Osborne (the Osborne bull), giant ads for Grupo Osborne S.A. (Osborne Group), a purveyor of wines, spirits, and food products. Although the bulls began as an advertising campaign for sherry, nobody could have imagined that they would become the unofficial symbol of Spain.

Osborne was founded in 1772 by Thomas Osborne Mann, an English shopkeeper from Exeter who moved to Cádiz to trade in wines. It’s the second oldest company in Spain and one of the oldest companies in the world. Now over 250 years later, the company still enjoys international fame and recognition.


-History of the Osborne Bull-

In 1956, Osborne decided they needed an ad campaign to promote its Brandy de Jerez. They commissioned designer Manuel Prieto, who came up with a simple but effective design: a silhouetted black bull with the words Veterano Osborne (Veteran Osborne) stenciled on it.

In 1957, the very first billboard, 13 ft (4 meters) high and cut from a single piece of wood, was placed in Cabanillas de la Sierra (Madrid). In the years that followed, José Antonio Osborne and José Luis Gómez Bermúdez toured around Spain looking for the perfect sites for more “bullboards”.

By 1961, construction was changed to sheet metal to better withstand weather conditions. They also increased in size, up to 23 ft (7 meters) high, making them easier to see.

In 1962, Spain passed a law that prohibited advertising billboards within 20 meters (66 ft) of a road. The Osborne bullboards were moved back, and their size was increased again. The giant billboards were an engineering marvel, an immense scaffolding structure standing 14 meters (46 ft) high and weighing 4100 kilos (9000 pounds).

In 1974, the signage law was updated to require all advertising billboards be moved to a distance of 125 meters (410 ft). The bullboards were moved again but not increased in size. Even from that distance, the bullboards were easy to see, thanks to their massive size.

It can be hard to tell the size of the massive bullboards, but compared to these giant windmills, their size is unmistakeable.


-End of an era… or not-

The Osborne bulls were threatened with extinction in July 1988 when Spain passed a law that totally banned commercial advertising on national roads, and mandated that all existing billboards be removed. According to the law, violators could receive fines of up to a hefty ₧25,000,000 (pesetas), about €150,000 at that time.

Instead of removing their billboards, however, Osborne used black paint to completely obliterate the billboard’s text, leaving a solid black bull. This worked for six years, but in 1994, the Spanish government deemed this gesture insufficient for compliance with the law. They said that even with no writing, the structure constituted an advertisement because the bull had become such a widely known and powerful symbol, and Spaniards interpreted the silhouette as a commercial poster promoting the interests of Osborne liquor. Spain’s Council of Ministers fined Osborne, but kept it to the lightest fine permitted by the law: ₧1,000,001 (about €4300 at the time). They also ordered Osborne to tear down the bulls.

However, Spanish citizens had a different idea. There was a massive Save the Bull campaign, including petitions signed by thousands of citizens, as well as support from artists and intellectuals. The initial and most convincing defense of the Osborne bull appeared in leading newspaper ABC in December 1989. Author Antonio Burgos’ words reached almost poetic heights in his plea to preserve the Osborne bull as a national icon. In an article entitled Pardon for a Bull, Burgos (1989) emotionally articulates the case to retain the bullboards.

The bull, like so many advertising symbols, formed part of the Spanish countryside. Foreigners take away memories of the Escorial, the Giralda, the Acueduct, the thigh of a dancer in a flamenco show…and the Osborne bull, seen from an air-conditioned bus.

In this Spain, which destroys the landscape, which degrades cities, the Osborne bull camped out in the heights of a hill, was a landmark, indicating to us where we were…. Our highways increasingly appear like those of Los Angeles or Frankfurt. They have become impersonal, and there scarcely remains to us the humanity of an inn with some trucks parked at the entrance, which serves unforgettable fried eggs with chorizo.

In this Spain, which by jolts and haste is contributing so much to Europe, without receiving anything in return, we must preserve the Osborne bull. Just as bullfights are preserved, although in Brussels they might be upset [aunque en Bruselas digan misa]. This bull must be pardoned and left as an advertising stud, lest we become a colony of Madison Avenue. Although I believe that we already are.

The author’s argument in favor of the bull, on the grounds of conserving something of Spain’s distinctive identity, coupled with the public outcry, did the trick. In December 1997, the Court “pardoned” the bullboards from destruction.

According to the judgment itself, the Osborne bull “exceeded its initial advertising sense” and the “artistic Toro silhouette” had indeed become an integral part of the Spanish countryside and “part of the cultural and artistic heritage of the people of Spain”. All brand identification had to be removed, but the bull itself could remain. (In spite of the “gentrification” of the billboards, Grupo Osborne S.A. was allowed to maintain the sole and exclusive usage rights to that specific bull shape. The court recognized the brand status as a registered trademark.)


-The “bullboards” today-

The Osborne bull continues to be the only advertising structure permitted on Spanish roads. Today there are just 92 bullboards left, scattered across almost every part of Spain. In 2011, they were ruled as protected and an Asset of Cultural Interest (BIC).

The Osborne bull is also recognized internationally. An Osborne bull has recently been installed in Japan and others decorate the landscape of countries as varied as Mexico and Denmark .

The iconic silhouette has received multiple awards and has been the focus of numerous cultural and artistic activities. In 2000, it received the AUS Award and in 2003 the Development and Decorative Arts partners chose it as the most representative design of the twentieth century. It has recently been decorated and interpreted by 50 international personalities on the occasion of its 50th anniversary. It has also been featured in numerous exhibitions devoted to graphic design.

In spite of (or perhaps because of) their historical significance, a bullboard is occasionally vandalized, usually by anti-bullfighting activists or Catalan separatists.

Other bullboards are repainted in protest or support of various causes. For example, on May 18, 2017, the bullboard in Santa Pola (Alicante province) was painted over in the style of Guernica, Picasso’s famous anti-war mural (on display in the Museo Reina Sofia in Madrid). The artist was the anonymous Sam3, often referred to as “Spain’s Banksy”, who painted the image to protest bullfighting.

Bullboards have been covered in rainbow stripes in support of LGBTQ rights, painted in sky blue to promote environmental issues, and painted with various words and slogans for specific causes. Some bullboards suffer damage through nothing but strong seasonal winds. The Osborne Group remains responsible for the signs and takes on the job of repairing/repainting them.

The famous silhouette is found today on much more than just roadside signs. You can buy pretty much anything featuring that logo. I’ve even seen one as a tattoo.

https://www.zings.es/gb/250-osborne-bull

The products at the link I included are licensed by The Osborne Group, but not all are. In fact, Osborne at one point tried to sue companies making products using the iconic shape without their permission. In July 2005, a high court ruled against Osborne, stating “the accused manufacturers were entirely unaware that the Osborne bull actually was the property of any private company”. This legal decision emphasizes just how deeply ingrained and nationally significant the symbol of the Osborne bull silhouette has become in Spain today.

To celebrate its sixtieth anniversary the Osborne Group put together a museum called Toro Gallery with many unique art pieces featuring the bull, done by famous artists, including Salvador Dalí, Annie Lebovitz, and Keith Haring. The museum is located in Puerto de Santa Maria, Cádiz.

We didn’t learn about the Osborne bull until we moved here and drove past one that’s between our local city of Gandia and Valencia. I’ve been fascinated with them ever since. It touched me to learn just how beloved they are for most Spaniards, and how much they are a part of many childhood memories. One native Spaniard said:

The Osborne Bull became a point of reference, for those of us who were too young, we did not know how to interpret the signs of the roads, and we had no idea if X kilometers, to get there, was a lot or a little. However, as soon as you saw an Osborne Bull, the attitude changed, you already knew with millimeter precision, how many minutes, and even, how many curves were left to reach the end of the journey, or to the next milestone.

Today, both tourists and Spanish children still love to watch for them and be the first to exclaim, “There’s one!” This is one between us and Madrid, and yes, I did say, “There’s one!”

Next time you’re visiting Spain, or even if you live here, keep an eye out for the bulls as you move about. And don’t forget to point and call out before others in your group!

https://medium.com/@JanetCh/the-osborne-bull-the-most-famous-bull-in-spain-c7b1dd385298

Cartel de Calasparra 2026


 

December 15, 2025

Early 2026 schedule

February 6-8 / Valdemorillo

February 14-17 / El Carnaval del Toro de Ciudad Rodrigo

February 28 / Cantillana

March 6-8 / Olivenza 

March 7-8 / Feria del Milagro de Illescas

March 8-15 / Feria de la Magdalena de Castellón

March 8-19 / Feria de Fallas de Valencia

April 11 / Brihuega

April 25-26 / Feria del Aficionado de San Agustín del Guadalix

May 16-17 / Feria de San Pedro Regalado de Valladolid

July 12-13 / Ceret

September 3-8 / Feria Taurina del Arroz de Calasparra

Un cartel con un guiño al toreo antiguo ilustrará la Feria del Milagro 2026


(mundotoro.com)

La Feria del Milagro 2026 de Illescas ya tiene cartel anunciador. La obra, firmada por el ilustrador José Vega, apuesta por una estética clásica que evoca los carteles taurinos de comienzos del siglo XX, un guiño directo a la tradición en una de las ferias de mayor crecimiento y consolidación del arranque de la temporada. La imagen, que tiene como epicentro varios momentos de la lidia antigua e incluso un muletazo de Joselito el Gallo, sirve como anticipo de una edición que será presentada oficialmente en las próximas semanas.

El serial tendrá lugar el fin de semana del 7 y 8 de marzo de 2026 y repetirá el formato que lo ha caracterizado en los últimos años: una corrida de toros y una corrida de rejones con la presencia de las principales figuras del toreo. La empresa MaxiToro trabaja ya en cerrar la cartelería, siempre marcada por la inclusión de los nombres más destacados del escalafón tanto a pie como a caballo.

Illescas se ha convertido, por méritos propios, en una cita imprescindible del inicio de campaña, atrayendo cada año a toreros de referencia y a un numeroso público, entre el que destacan personalidades del ámbito social, político y cultural que han contribuido a dar al serial una relevancia especial. Con la nueva imagen, la feria reafirma su identidad: respeto al pasado y ambición de futuro.

https://www.mundotoro.com/noticia/un-cartel-con-un-guino-al-toreo-antiguo-ilustrara-la-feria-del-milagro-2026/1908881

December 7, 2025

National Western Stock Show 2026

 


This year's Denver stock show is taking place January 10th - 25th.

Now, why would they hold a stock show in Denver in January? I have no idea.

There must be a reason but I don't know what it is. But of all the places I want to be in January, Denver is not one of them. I want to be laying on a beach in January, not battling snow in the Rocky Mountains.

Anyway, on Sunday January 11th they will be holding what they call "Mexican Rodeo Extravaganza." This is when in years past they have had a bloodless bullfight. I don't think they do it every year, and I know in years past the local newspapers have called it "controversial." 

Whatever, so many uneducated people out there.

I'm going to try and keep my eyes on the local papers and see if they hold another bullfight this year. I think it would be wonderful if they did.

Viva la Fiesta!

https://nationalwestern.com/

November 30, 2025

Alvaro Domecq: Master of all he surveys


(by James FitzGerald linkedin.com 5-21-18}

After three months of clashing schedules, I am finally in the realm of Don Alvaro Domecq – although, even as I stand in the courtyard of his country estate, the 66-year-old patriarch of the sherry family dynasty remains elusive.

Los Alburejos, the 2,000-acre farm outside Jerez, is used by the Domecqs to rear and train fighting bulls. Their cattle are called Torrestrella, after the ruins of a nearby castle, and are renowned throughout Spain for their bravery.

It’s a Saturday morning and there is a buzz of activity – children play on the grass, household staff hurry about their duties and the odd horse and rider trots past. The only creatures that aren’t moving are the bulls. Don Alvaro’s niece, Isabel, arrives and tells me her uncle has some work to do at another farm, but that we can join him there. She drives me to Martililla, another estate owned by the family.

In the field in front, a group of riders is chasing a young bull. Isabel unloads a quad bike from the trailer, we zoom out to the pack of horses and catch up with the riders’ quarry, a brown calf, and ride along beside it. Then, from behind, a huge horse moves in to separate us. The rider is carrying a lance. He presses it against the calf’s rear and it crashes to the ground. The rider tips his cap at me, then rides off. “My uncle,” says Isabel.

The felled calf is held down while a man with a hot iron brands him. Isabel explains that what we have just seen is called acoso y derribo, where the riders test the bravery of young cattle. In essence, if the calf gets back up and chases the riders, he or she is considered brave. As I watch Don Alvaro perform equestrian acrobatics with one bull after another, I begin to worry that he may fall off or become too tired to give me an interview.

After a morning in the baking sun, we retire to the house, where everybody takes a seat at long wooden tables. The family meets like this every weekend, to tackle bulls and to eat together on the shaded terrace. After lunch, Isabel tells me her uncle will not see me until I try some of the family’s sherry. The cool fino is a perfect antidote to the Andalusian sun.

Don Alvaro and I move to the sitting room, where he slumps into a leather armchair. His most distinguishing, and aristocratic, characteristic is his large nose: it leaves his face, then, half-way, bends sharply towards the ground. Don Alvaro begins: “The family of my father has always been involved with wine. They came from France [in the 1700s], attracted by the sherry business, and added great dimensions to the wine in Jerez.” In 1818, the young French aristocrat Pedro Domecq Lembeye inherited the bankrupt wine cellar of his uncle, Juan Haurie, and set about restoring his family’s commercial honour. Under the banner Pedro Domecq, the cellar went on to become a household name around the world. By the early 1990s, however, dissent was fermenting in the family.

“The Domecqs who were running the business decided to sell the company because of financial problems. Some family members bought shares from others so that they could hold the majority,” says Don Alvaro. In 1994, the Pedro Domecq business was acquired by Allied-Lyons, with the new entity becoming Allied Domecq.

“I didn’t like it when Domecq was sold. So I began looking for other ways to continue the business. A capataz [a bodega’s wine expert] of my acquaintance told me, ‘If you want a bodega, you will have to buy very good quality’.” The Domecqs’ search for excellent “musts” led them to one of Jerez’s oldest wine cellars, where the traditional system of soleras and criaderas has been used for hundreds of years. This artisan system – where barrels holding older wines are gradually blended and replenished by younger wines – would underpin the new company’s strategy of quality over quantity.

The cellar, or almacén, was owned by the Aranda family, who would sell some of their very old, high quality stock to the large bodegas, whose owners would then use it to add a “spark” to their sherries and brandies. “I didn’t even know where this store was. I met its owner, Pilar, who said she had great admiration for my father and grandfather. She didn’t feel she could do it on her own and she agreed to sell [the cellar] to me. In five minutes, the deal was done.”

It was 1998 and the Domecqs were back in the sherry business. But almost immediately, they ran into legal difficulties. When the name Alvaro Domecq appeared on the labels of his new line of sherries, Allied Domecq objected. “At first, I had problems using my name as a brand. But we won the case [to use his name as the producer only].” The motto of the bodega is “Nacer de Nuevo” (born again) – and the Domecqs must be hoping they can breathe new life into its prestigious soleras if they are to make a splash in an increasingly crowded spirits market.

“I’m targeting quality customers,” says Don Alvaro. “Today people shouldn’t drink too much, because of work commitments and so on, but there should always be a place for good wine. “Each sherry has a different moment. If you have a fino, an amontillado, an oloroso, you can choose the right wine for each moment. For example, a fino on a summer day, an oloroso on a cold day.”

Don Alvaro has combined his love of sherry with a passion for bullfighting. “I went to Mexico in 1963 to fight in corridas as a rejoneador [mounted bullfighter]. At that time, Domecq had just started selling its products there. Then they were selling less than 50,000 cases a year but were hopeful of increasing that to 100,000.”

Don Alvaro’s career as a bullfighter spanned 25 years and his successes in Mexico made him a household name there. Although he had no part in the sherry operation at that time, the public associated his name with that on the bottles, with a resultant surge in sales. “By the time Domecq was sold, the Mexican company was selling 14m cases a year,” he says.

The Domecqs enjoyed a golden era that stretched from the early 1930s into the late 1950s, when their upper-class jerezano lifestyle attracted film stars such as Gregory Peck and Lola Flores, as well writers and royalty from all over the world, to the farm. No one epitomised this period of style and hospitality better than Don Alvaro’s father, Alvaro Domecq Díez, renowned for his tweed jackets and impeccable manners. It’s a gilded lifestyle but the family have had their share of tragedies. Don Alvaro’s mother, Maria Josefa Romero, lost 14 of her 19 children at birth because of a problem with incompatible rhesus blood groups.

In 1991, four of his nieces were killed in a car accident. At Los Alburejos, there is an indoor bullring. Its walls are decorated with hundreds of photographs – a pictorial who’s who of the international jet set. There were several pictures of Manuel Rodríguez “Manolete” – killed by a Miura bull in 1947. The actor Adrien Brody, who bears a remarkable resemblance to Manolete, was once signed up play the matador in a Hollywood.

Manolete gave his ornate costume to Don Alvaro’s father, who died in 2005, and is now on display, along with many of his other possessions, at a museum the family have built on the farm.

“There were always good matadors coming to Los Alburejos to train. There was also the attraction of the horses and, of course, good wine,” says Don Alvaro. “Juan Belmonte [the matador] was a good friend of my father and I got to know him very well. When I was studying law in Madrid, I would pick him up and take him to buy cigars. Afterwards we would go to eat at Casa Ciriaco, where all the writers would meet. I was the youngest there. After the meal, Belmonte would make a ceremony out of lighting his cigar. There would be lots of people there – [Ernest] Hemingway, Orson Welles, Anthony Quinn, José Ortega y Gasset. Welles was a very likeable man.”

Indeed, the film director became such a good friend of the Domecqs that he featured in a magazine advert for their sherry. “Welles once fought al alimón [accompanied], but when he saw the bull in front of him …” He chuckles. When Don Alvaro fought his first bull, aged six, Belmonte – considered to be one of the all-time greats – was by his side. “The [fighting] bull is a very dangerous animal. It has the strength of a bison but is much braver. You need to be an expert to work with them, as does your horse. You get to know the signs, before it attacks,” he says.

In May 1975, Juan Carlos – then prince of Spain – presented Don Alvaro with the Golden Horse trophy in Jerez, in recognition of his dedication to and work with horses. Don Alvaro acknowledged the award by creating a show, How the Andalusian Horses Dance, which in turn led to the creation of the Royal Andalusian School of Equestrian Art. He later severed his ties with the school but continues to demonstrate his extraordinary horsemanship around the world with the cast of his Magical Horseriding show. Such is its reputation that the Sultan of Oman paid to have the show flown – in a specially adapted Jumbo – to his palace for a private performance.

I am about to ask Don Alvaro how he reconciles the many demands of his tripartite business empire, when his young grand-nephew enters the room and signals the interview is over. But then the answer comes to me: he sees himself as a patron of the arts – the art of sherry-making, the art of bullfighting and the art of his magical horses.

Fallece Álvaro Domecq Romero, figura del rejoneo y ganadero de Torrestrella





(mundotoro.com 11-18-25)

Álvaro Domecq Romero, figura del rejoneo y ganadero de Torrestrella, ha fallecido esta madrugada a los 85 años de edad. Hijo del también rejoneador y extraordinario ganadero Álvaro Domecq Díez, nació en Jerez de la Frontera el 8 de abril de 1940.

Álvaro Domecq debutó en público el 13 de septiembre de 1959 en la plaza de toros de Ronda y tomó la alternativa el 1 de septiembre de 1960 en El Puerto de Santa María, con su padre como padrino. Se despidió de los ruedos el 12 de octubre de 1985 en la plaza de toros de Jerez de la Frontera, después de una carrera en la cumbre del toreo a caballo en la que toreó más de 2.000 corridas. Formó parte de los ‘cuatro jinetes del Apoteosis’ con Ángel y Rafael Peralta, y José Samuel Lupi.

Heredó la filosofía de toro bravo de su padre y cogió las riendas de una de las ganaderías más emblemáticas del campo bravo: Torrestrella. En la finca ‘Los Alburejos’, Álvaro Domecq mantuvo el concepto de la bravura que llevó a esta divisa gaditana a las principales ferias del panorama taurino. En campos de Medina Sidonia, antes de ser trasladados a la finca ‘El Carrascal’, donde pastan actualmente.

Por otra parte, fundó en 1975 la prestigiosa Real Escuela Andaluza del Arte Ecuestre en Jerez, además de crear espectáculos como ‘Cómo Bailan los Caballos Andaluces’ y ‘A Campo Abierto’, con los que llevó la cultura ecuestre a escenarios internacionales.

Entre la distinciones que recibió en vida, Álvaro Domecq Romero fue reconocido en 2024 con la Medalla de Andalucía, antes de recibir el premio Caballo de Oro de la ciudad de Jerez y ser reconocido Hijo Predilecto de la misma.

Desde Mundotoro, queremos mandar nuestro más sentido pésame a familiares y amigos por esta dura pérdida. D.E.P.

Muere Álvaro Domecq Romero, figura del rejoneo e impulsor del arte ecuestre


(cope.es 11-18-25)

El rejoneador y ganadero Álvaro Domecq Romero ha fallecido en la madrugada de este martes en Jerez de la Frontera (Cádiz) a los 85 años de edad. Nacido en 1940, Domecq Romero se ha consolidado como una figura indispensable en el mundo del caballo y el toro bravo, siendo miembro de una de las estirpes más reconocidas de Jerez y un referente del arte ecuestre a nivel internacional.


Una vida dedicada al caballo y al toro

Álvaro Domecq Romero, hijo del también rejoneador y criador de bravo Álvaro Domecq Díez y nieto del mítico ganadero Juan Pedro Domecq y Núñez de Villavicencio, debutó en público el 13 de septiembre de 1959 en la plaza de Ronda y se despidió de los ruedos el 12 de octubre de 1985 en su Jerez natal. Su trayectoria como rejoneador ha sido una de las más aclamadas, pero su legado se extiende mucho más allá de las plazas de toros.

En 1975 fundó la Real Escuela Andaluza del Arte Ecuestre en Jerez, una institución de la que también fue Patrono de Honor. Suyo es también el célebre espectáculo ‘Cómo bailan los caballos andaluces’, considerado uno de los mayores exponentes de la doma y la habilidad de los jinetes. Su faceta como ganadero es igualmente reconocida, siendo el propietario del prestigioso hierro de Torrestrella, cuyos toros fueron criados en la Finca Los Alburejos hasta su venta en 2020. Allí creó el espectáculo "A campo abierto", donde se mostraba la crianza del toro bravo.


Reconocimientos a una figura irrepetible

Además de su profunda vinculación con los caballos y los toros, Álvaro Domecq Romero mantuvo una estrecha relación con el mundo del vino, otro de los pilares distintivos de Jerez. 

A lo largo de su extensa carrera, ha recibido multitud de distinciones. Entre ellas se encuentran la Medalla de oro de la Asociación de escuelas taurinas de Andalucía, el Premio del Clúster Turístico #DestinoJerez (2018), el Premio Augusto Ferrer-Dalmau de la Academia de la Diplomacia y un galardón en el Salón Internacional del Caballo (2019). Además, en 2020 se puso su nombre al picadero del Recreo de la Real Escuela Andaluza de Arte Ecuestre y en 2021 fue nombrado Rociero Ejemplar por la Real Hermandad de Nuestra Señora del Rocío de Jerez.

El último reconocimiento llegó en 2024, cuando el Consejo de Gobierno andaluz concedió a Álvaro Domecq la Medalla de Andalucía.

https://www.cope.es/actualidad/toros/noticias/muere-alvaro-domecq-romero-figura-rejoneo-e-impulsor-arte-ecuestre-20251118_3254062.html

November 21, 2025

October 12th, 2025 - an historic, shocking, and overall melancholy day in the world of the bulls

October 12th, 2025 will for sure go down as an historic day in the bullfight world, but also a melancholy one.

By the end of the day which saw 13 bulls fought and killed, four bullfighters were carried out la Puerta Grande, one bullfighter confirmed la alternativa, and two bullfighters retired, one which was planned, that of Fernando Robleño, and one not planned, that of Morante de la Puebla.

After reaching the highest peaks of bullfighting, Morante decided to call it quits on his own terms.

And who can blame him? A bullfighter puts their life on the line every time they step out on the sands of la plaza, they can't expect to keep at it year after year after year. Eventually they have to call it quits. And Morante has struggled with his mental state, so now was probably as good as time as ever.

(Although, retiring after the Easter Day bullfight in Sevilla I would think might be more apropos for Morante, but again, he gets to chose the time and place.)

The world of the bulls will continue, albeit under constant attack from the uneducated, and now it will just have to continue without Morante. 

But at least we have the memories. 

And thank you as well, Maestro Robleño.



 

Las Ventas links to both October 12th bullfights

Curro Vázquez, César Rincón y Olga Casado, por la Puerta Grande de Madrid en el homenaje a Antoñete

https://www.las-ventas.com/resena-tarde/festival-con-picadores-12-octubre-2025


Morante se corta la coleta y dice adiós por la Puerta Grande de Madrid

https://www.las-ventas.com/resena-tarde/corrida-de-toros-12-octubre-2025

Some news article links from October 12th

Y ahora, ¿qué va a hacer Dios?

https://www.mundotoro.com/noticia/y-ahora-que-va-a-hacer-dios/1901725


El toreo se queda huérfano

https://www.mundotoro.com/noticia/el-toreo-se-queda-huerfano/1901727


‘La otra mirada’ del adiós de Morante de la Puebla en Madrid

https://www.mundotoro.com/noticia/la-otra-mirada-del-adios-de-morante-de-la-puebla-en-madrid/1901728


Los aficionados se agolpan a las puerta del Wellington al grito de: ‘¡José Antonio, Morante de la Puebla!’

https://www.mundotoro.com/noticia/los-aficionados-se-agolpan-a-las-puerta-del-wellington-al-grito-de-jose-antonio-morante-de-la-puebla/1901868

The photo says it all


 

Morante, la última faena de un torero para la historia (Vídeo)

(mundotoro.com October 12, 2025)

Con cuello, corto de manos, el colorado cuarto. Serio y con perfil. Amplio de sienes. Lo recibió Morante de la Puebla con una tijerilla de rodillas. Varios lances con una rodilla en tierra para proseguir con unas chicuelinas muy confiando, sin apenas sacar los brazos para intentar recoger la embestida. Por el pitón izquierdo pasaba muy ajustado y en la siguiente por ese lado, se lo llevó por delante. Fue brutal la caída. Con la espalda y el cuello. Se quedó Morante de la Puebla inmóvil en la arena. Intentó en el callejón recuperarse. Prosiguió la lidia, mientras el sevillano continuaba en la boca del burladero intentado recuperarse. Se empleó el toro en el primer encuentro. Salió de nuevo Morante de la Puebla. Fuerte ovación. Marcó el toro querencia en el tercio de banderillas, siempre terminando en las tablas. Brindó Morante de la Puebla a Santiago Abascal.

Muleta: Embistió el toro al paso y Morante le sopló una primera serie sobre la diestra de enorme trazo y pulso. Enorme la exposición. Totalmente abandonado y dispuesto en cada embroque a todo. Se rozó el percance y la plenitud del toreo en cada cite. La siguiente serie tuvo un trazo más curvo. El público se puso en pie. Imposible torear con más ajuste, más abandonado. Más entregado al propio destino. Lo físico no tiene importancia. Desde el embroque el muletazo tuvo dimensión mayor. Monumental el toreo sobre la diestra. Por el pitón izquierdo, es imposible. Un altercado en el tendido protagonizó el final de la faena cuando Morante se dispuso a entrar a matar.

Morante se fue al centro del ruedo y en plena soledad y grandeza se cortó la coleta frente la sorpresa de todo el público. Los gritos de ¡Torero, torero! afloraron para un toreo irrepetible, único. Madrid le obligó a saludar otra ovación.

https://www.mundotoro.com/noticia/morante-la-ultima-faena-de-un-torero-para-la-historia-video/1901693

Morante: las lágrimas de una leyenda

(mundotoro.com October 12, 2025)

Fue una vez acabada la vuelta al ruedo. Después de una faena inconmensurable que lo acercó más al cielo que a la tierra. Con las dos orejas en las manos y con la segunda Puerta Grande conseguida en su trayectoria después de una temporada grabada con letras de oro en la historia de la Tauromaquia. Morante se fue al centro del ruedo y en plena soledad y grandeza se cortó la coleta frente la sorpresa de todo el público.

Los gritos de ¡Torero, torero! afloraron para un toreo irrepetible, único, que hizo del arte una forma de verdad. Madrid le obligó a saludar otra ovación mientras las lágrimas recorrían su rostro. Lágrimas de felicidad, de gratitud, de la lucha interior y del esfuerzo de superación que lo llevaron hasta ese día. Una amalgama de emociones se fundió en el corazón de Morante y en el de los tendidos del coso venteño, que lloraban al unísono con él y ya sentían el vacío que dejaba su adiós.

https://www.mundotoro.com/noticia/morante-de-la-puebla-se-corta-la-coleta-despues-de-desorejar-a-un-toro-en-madrid/1901673

Blood and Tears as Spain’s Troubled Bullfighting Star Hangs Up His Cape

(by Jason Horowitz nytimes.com November 12, 2025)

José Antonio Morante Camacho, arguably the greatest bullfighter of his generation, lay flat on his back in the middle of the arena.

A 1,220-pound bull had just flipped him in the air, prompting a gasp from the sold-out crowd in Madrid’s Las Ventas, Spain’s most hallowed bullfighting ring.

As the 46-year-old, known across the Spanish-speaking world as Morante de la Puebla, did a mental scan of his scarred body, other matadors rushed to carry him off. Brought safely to the ring’s red perimeter wall, he got up, grimaced and walked off the pain. He eventually returned to the fight, drawing the bull close with elegant sweeps of his cape that elicited cries of olé.

When it was over, the bull was dead, the rare prize of its ears were hoisted in Mr. Morante’s hands and a blizzard of white handkerchiefs waved in appreciation.

The bullfighter embraced Spain’s leading far-right politician, bathed in a shower of flowers, Spanish flags and cigars. He turned back to the center of the ring where, with tears on his weathered face, he removed a symbolic pigtail, clipped to the back of his hair. Everyone weeping along with him knew what that meant. Morante de la Puebla was calling it quits.

“I felt an artistic exhaustion,” Mr. Morante said a few days after the Oct. 12 fight, in an interview at his riverside farm in La Puebla del Río, his hometown outside Seville in southern Spain. In whispered, languid sentences, Mr. Morante, wearing a wool Gucci suit and fedora, said he felt no lessening of his skills and that his career had been “upwards, upwards, upwards.” But, he said, “I’ve decided to stop before I fall.”

The withdrawal of Mr. Morante deprives bullfighting aficionados of a legend admired for his artistry, courage and imagination. Impresarios say they will miss his ability to fill the seats and the end of a rivalry with a rising Peruvian matinee idol. The leader of the nationalist Vox party, Santiago Abascal, had in Mr. Morante a direct line to die-hard fans of an increasingly polarizing and conservative-coded pastime.

But even many of the Spaniards who want to follow the example of some regions and ban bullfighting across the country appreciated Mr. Morante as a rare original, not just for his Elvis impersonator mutton chops and psychedelic rock band outfits but for his bravery in publicly wrestling with mental health problems.

“It exists, and I don’t like to deceive anyone,” he said as he sipped coffee to wash down medication that he said sapped his strength and caused fluctuations in his weight. He talked about his experience with electroshock therapy, his diagnosis of depersonalization, bouts of weeping and his decision to spend much of the year in Portugal, because, he said, “my doctor is there.” And while he acknowledged that fans thank him for destigmatizing mental illness, he added with a quivering smile that “it’s harder to stand in front of a bull.”


He and his family still live in his hometown, where locals drink beers under bullheads and photos of him in a bar that bears his name.

His farm by the river has a bull ring and a ballroom annex featuring taxidermized bullheads, antique bullfighting posters and lighted vitrines displaying his sequined matador costumes. His living room is decorated with the heads and tails of his greatest triumphs, shrines to some of Spain’s most storied matadors and sculptures of cherubs and saints.

A plate featuring Spain’s dictator Francisco Franco hangs by the kitchen counter, near scores of bronze trophies and a stack of his trademark pink and green capes, stained with blood and branded Morante de la Puebla. The place had filled up over the years, he said. “I’ve been doing this for a long time.”

Mr. Morante grew up close by in a small house marked with a plaque above a narrow door and exposed electric wiring. As a child, he said, he faked sleep as his father, who lugged sacks of rice in a nearby factory, carried him into the arena, a ruse designed to avoid paying for a second ticket. Once inside, Mr. Morante said he would open his eyes and soak up “a divine place.”


At home, he stuck a sausage on the end of a stick draped with a red muleta cape and pretended that the family’s dog, Paloma, was a bull. His mother yelled at him, but by 6 years old, he confronted his first young cow in a local corral, and suffered his first collision. But then he got up. “I felt that something unstoppable surged in my blood,” he said.

He dropped out of school and forged papers at age 14 to participate in the ring. At 17 he debuted, against his mother’s wishes, as a matador. He recalled his youthful “beauty” and success. But by the time he was 20, he said, his mother was weeping at his plan to marry a girl from the town, and leave home. That was the day, he said, that he suffered a mental crisis.

“I looked in the mirror. I didn’t seem like myself,” he explained. He began to weep uncontrollably, he said, and felt as though he was living outside his own body. A doctor diagnosed him with depression and a dissociative disorder, and soon after, he said, he received electroshock therapy in Miami, where a friend suggested medicine was more advanced. It helped a little, he said, but his condition remained.

In 2008, after three years of marriage and the birth of a son, he split from his first wife. He said he grew accustomed to the solitude caused by his condition, which was only compounded by the solitude of facing down bulls in the ring. Nevertheless, his career blossomed. While Mr. Morante spoke with envy about the sponsorships and stratospheric salaries of soccer stars, he earned — and spent — millions.

In 2010, he remarried. But as his family expanded with two daughters, the election of a left-wing government clearly antagonistic to bullfighting imperiled his profession.

Mr. Morante said he went “asking for a little help,” from Mr. Abascal, the hard-right leader who, he said, “doesn’t know much” about bullfighting, but who eagerly went to bat for a hero to his political base. “Show the deep Spain,” Mr. Abascal texted Mr. Morante during the interview at the farm.

Mr. Morante’s triumphs helped bring in bigger crowds, and bullfighting became more popular with younger conservatives. But his personal demons haunted him.

Confidantes in town said his mood swung wildly depending on how he did in the ring. He sat out some bullfights, and in others, he dispatched bulls he didn’t like the look of with efficient, lackluster performances.

He eventually got back on track with the help of Pedro Jorge Marqués, a childhood friend from Portugal who had become a dentist and his manager and who lived with Mr. Morante’s mother when in Puebla.


But during Mr. Morante’s absences, other stars rose, including the young Peruvian bullfighter Andrés Roca Rey. This summer, the two had words in the ring, and Mr. Rey infuriated Mr. Morante by telling him to take it easy: “Maestro, smoke a cigar slowly.”

Mr. Morante, who admitted, with a puff on a Cuban, that cigars relaxed him, said he decided a rivalry was good “only if it’s noble and in front of the bull.” The two had made up, he said, but added he had no interest in seeing “Afternoons of Solitude,” an award-winning documentary focused on Mr. Rey, who, he said, “looked for” attention.

On Oct. 12, Mr. Morante assured that all attention focused on him. He said he had made a deal with God that if he triumphed in Madrid he would call it a day. “The combination of my mental health issues, the suffering, it wasn’t a joyful situation,” he said. “But it was one of satisfaction. For having fulfilled a dream.”

And as if in a dream, thousands of young, preppy bullfighting fans stormed the ring and carried him out on their shoulders through the arena’s famous gate of triumph, though their ripping at his shimmering matador costume for souvenirs, he said, was “very distressing.” The evening ended with him on the balcony of a famous Madrid hotel blowing kisses to the crowd in a special silk striped nightgown that he had packed, he said, “just in case” he triumphed and went out in style.

The problem now, he said, was that he had no other interests. “Nothing” he said. “Nothing.” Contrary to bullfighting gossip, he said, he and his wife were still together, though, he added with a shrug, “I don’t know until when.” A local farmer who dropped off a couple of golden pheasants to raise on the farm began to weep when Mr. Morante signed for him one of the capes stacked in the kitchen.

“What else am I going to do with them?” Mr. Morante said.


His weary eyes instead lit up when Mr. Marqués told him promoters were already plotting to bring him back.

“I had a dream about that,” Mr. Morante said, adding, “let’s not call it a complete retirement. It’s a rest.”

https://www.nytimes.com/2025/11/12/world/europe/spain-bullfighting-morante-camacho.html

November 16, 2025

Aficionado: An American's 70 Years at the Bullrings of Spain

 


(from amazon.com)

In this fast-changing age of artificial intelligence, algorithms and virtual reality, what does it mean that a man dressed in silk and gold should slay a 1,200-pound bull with a sword? And why does the ritual of the bullfight –what the poet García Lorca called “the last serious thing”– still capture a country’s imagination?

Aficionado evokes the pain and poetry of this anachronistic rite, an essential part of Spanish culture. We visit the major fairs in the very different cities, examine the techniques of the bullring, learn how these magnificent animals are selectively bred, and travel to some of the towns where young men still run and jump before them in an enduring life-or-death spectacle. The author also shows how toreo, which always reflects the society of the time, has evolved into something of an art form, and examines the controversy that still surrounds it. This is also part memoir: of the passage from young neophyte to insider, and of how the country has changed. It is a book about Spain.

WILLIAM LYON was born in New York in 1940. Captivated by a bullfight he saw as a boy, after graduation from Yale he moved to Spain, where he has lived ever since. As a foreign correspondent, he reported for, among others, Variety, UnitedPress International, The Associated Press, Time-Life, and CBS and NBC radio. He also wrote about bullfighting for El País, Spain’s leading newspaper, and was chief taurine critic for the daily El Sol. In 2016, Lyon received the George B. Smith Arts and Letters Award from the National Association of Taurine Clubs of the United States.

RICHARD DUNWOODY, a native of Belfast, is a former jump jockey. He was Champion for three consecutive years (1993-95), won the Aintree Grand National twice, and in 1993 was made a Member of the Order of the British Empire for services to the sport. Out of the saddle, he has undertaken various challenges for charity, including a 700-mile expedition on skis to the South Pole. He currently lives near Madrid with his partner Olivia and their daughter Milly, and works as a corporate photographer and motivational speaker.

(link to Amazon to purchase book)


-----

(from torostoreros.com)

The publication of a new book on bullfighting in English is always worth celebrating, particularly when it comes from a knowledgeable aficionado like William Lyon who lives in Spain and has been following los toros (even, at one point, as a bullfight critic for the national newspaper El País) for 70 years.

A flyer for the book describes ‘Aficionado’ as “part primer, part memoir, part travel book” and, indeed, it is all of these things. To gather a full understanding of the different aspects, however, requires careful reading as each is intertwined within the overall text.

The story behind the book concerns Lyon’s longstanding afición having been in abeyance in the years immediately prior to the Covid pandemic. Lyon regards his afición as akin to religious faith and describes the situation as follows: “… for some time now I have been wondering whether my commitment to toreo was really worthwhile. Maybe its values that I once held so dear - they include honor and tradition and valor - no longer apply in this low, mean age. These doubts are painful because this faith has been so important, at times as much as family and work: coming together with other devotees in temples to celebrate our moveable feasts, sharing delight when touched by grace […] To be sure, I have not worshipped regularly. But why do so when the officiants are often unpracticed, the liturgy bastardized, many of the sacrificial animals unhealthy, and our faith regularly defiled by odious mercantile forces?”

In 2022, two years after the pandemic and with a complete Spanish temporada now in prospect, Lyon is persuaded by a friend to “return to the fold” by spending the year going to the bullrings he used to frequent and to record and share the journey, both physical and spiritual.

Lyon takes the reader to Valencia’s Las Fallas, Sevilla’s Feria de Abril, Madrid’s Feria de San Isidro, Pamplona’s sanfermines and Bilbao’s Aste Nagusia, as well as to many other parts of Spain through his memories and anecdotes. This is not a book for blow-by-blow accounts of corridas: rather, descriptions of places and events and the feelings and thoughts they give rise to.

There are also descriptions of the different tercios of the corrida and what to look out for in each. Lyon, like any serious aficionado, is well-read, and his ‘gospels’, parts of which are divulged here, are primarily written by Gregorio Corrochano and José Alameda.

While discussing bullfighting in its contemporary setting of some political and social opposition, there is a lot of history in the book. Lyon takes us from the Middle Ages to the present day, paying particular attention to Pedro Romero, Pepe-Hillo and Costillares; Paquiro and Cúchares; Lagartijo and Frascuelo; Guerrita (who, Lyon claims, was the first torero to link passes); Joselito and Belmonte; and the Litri and Ordóñez dynasties. 

As well as toreros and toreras, the bulls are a topic, too - how they have evolved over time; their varied appearances; their selection for corridas; domecqs and toros duros; and horn shaving. The convoluted history of the Concha y Sierra ganadería serves as an example of the changing fortunes of herds over the decades and the efforts made to maintain or restore their standing.

The life of a committed aficionado - and, in Lyon’s case, the isolating experience of being a newspaper’s taurine critic - is described in these pages. I particularly enjoyed the story of a car journey across La Mancha on one of the hottest days of the year in the hope of seeing a toro sardo. By the end of his 2022 temporada, Lyon finds “a good part of my faith recovered,” although it’s not entirely clear how this has come about. Perhaps reminiscing about the fraudulent years of his early afición towards the end of the Franco dictatorship has convinced him that today’s bullfighting is not so bad after all.  

The book concludes with a selection of excellent black-and-white photographs by Richard Dunwoody, reminiscent (apart from the absence of hospital scenes) of the collection of photographs that accompanied Ernest Hemingway’s ‘Death in the Afternoon’ and including a section specially dedicated to the artistry of Morante de la Puebla.

In short, however developed one’s knowledge of bullfighting, there will be something in this book of interest. It can be purchased through Amazon.

https://www.torostoreros.com/blog/a-new-book-in-english-on-bullfighting

November 9, 2025

Las Ventas cierra la temporada 2025 superando el millón de espectadores

(las-ventas.com 10-17-25)

La Plaza de Toros de Las Ventas cerró el pasado domingo 12 de octubre la temporada 2025 con un nuevo hito de asistencia. En los 62 espectáculos celebrados, el coso madrileño ha reunido un total de 1.008.226 espectadores, con una media de 16.261 asistentes por festejo. Tras varias temporadas rozando la cifra mágica del millón, este memorable 2025 ha logrado finalmente romper esa barrera.

El interés del público se ha reflejado también en los dieciocho llenos absolutos registrados con cartel de 'No hay billetes', tres veces más que en 2024, y en las treinta tardes que superaron los 18.000 espectadores, prácticamente la mitad de los festejos celebrados. La Feria de Otoño se cerró con 19.428 abonados, el mejor dato de los últimos quince años, confirmando el excelente momento que vive la tauromaquia en la plaza más importante del mundo.

En el ruedo, el público venteño ha sido testigo de cinco puertas grandes, las protagonizadas por Alejandro Talavante el 9 de mayo; Morante de la Puebla los días 8 de junio y 12 de octubre; Borja Jiménez el 15 de junio; y Emilio de Justo el 3 de octubre. En total, Las Ventas ha presenciado cuatro faenas de dos orejas y veintiocho de un trofeo. Veinte matadores de toros han confirmado su alternativa en esta temporada y dieciocho novilleros han hecho su presentación en Las Ventas, consolidando el papel de Madrid como escenario imprescindible para las nuevas generaciones del toreo.

Por los chiqueros de la primera plaza del mundo han salido 384 reses, de las cuales 18 fueron sobreros. Han estado representados 21 encastes diferentes, muestra de la diversidad ganadera que caracteriza a la programación de Las Ventas. Dos toros recibieron el premio de la vuelta al ruedo: “Brigadier”, de Pedraza de Yeltes, lidiado por Isaac Fonseca el 14 de mayo, y “Milhijas”, de Victorino Martín, lidiado por Borja Jiménez el 15 de junio.

Estos y otros muchos datos pueden consultarse en el informe estadístico completo de la temporada 2025.

https://www.las-ventas.com/actualidad/las-ventas-cierra-la-temporada-2025-superando-el-millon-de-espectadores

Máxima expectación en Aguascalientes: la Monumental, cerca de colgar el ‘no hay billetes’ para el cartel del 450 aniversario de la fundación de la ciudad

 

(mundotoro.com 10-18-25)

Aguascalientes, la capital taurina del continente americano, vive este sábado una auténtica fiesta del toreo. La corrida del 450 aniversario de la fundación de la ciudad está cerca de colgar el cartel de ‘No hay billetes’. Una respuesta firme de una afición que vibra con el toreo. A falta de que se vendan las pocas entradas que quedan a la venta, el triunfo de la corrida es un hecho. 

Un festejo de máxima categoría, en el que se anuncian Alejandro Talavante, el torero local Héctor Gutiérrez y la promesa mexicana Diego San Román para estoquear un encierro de la ganadería de Santa Bárbara. Un acontecimiento que reivindica que la fiesta de los toros está más viva que nunca en tierras mexicanas por mucho que quieran negarlo.

https://www.mundotoro.com/noticia/aguascalientes-vibra-con-el-toreo/1902744


Los ‘Encierros Blancos’ regresan a San Sebastián de los Reyes los días 17 y 18 de enero

(mundotoro.com 11-3-25)

San Sebastián de los Reyes sigue apostando por la tauromaquia con una de sus citas más singulares del invierno. La localidad madrileña volverá a celebrar sus tradicionales ‘Encierros Blancos’, que tendrán lugar durante el fin de semana del 17 y 18 de enero, con motivo de la festividad en honor a San Sebastián, patrón de la ciudad. El ciclo taurino se inaugurará el viernes 16, con una cabestrada compuesta por tres carreras.

El Ayuntamiento de la localidad madrileña ha decidido concentrar la programación de los principales actos taurinos en el fin de semana, con el objetivo de favorecer la asistencia de vecinos y aficionados. Del mismo modo, el martes 20 de enero, día de San Sebastián, se celebrará una capea en la plaza de  La Tercera, que pondrá el broche a la programación festiva.

https://www.mundotoro.com/noticia/los-encierros-blancos-regresan-a-san-sebastian-de-los-reyes-los-dias-17-y-18-de-enero/1904726

Balears Cambio de Tercio anuncia un festival en Muro en el mes de diciembre

(mundotoro.com 10-18-25)

Balears Cambio de Tercio continúa avanzando en su compromiso con la recuperación total de la tauromaquia en Mallorca y anuncia la celebración de un gran festival taurino el próximo 7 de diciembre en Muro, una jornada que tendrá como protagonistas absolutos a los novilleros mallorquines.

El evento, que forma parte del proyecto “Tauromaquia 360°”, busca dar voz y visibilidad a los jóvenes toreros de la isla, respondiendo al sentir de la afición, que pedía una oportunidad para ver a sus novilleros en el ruedo y apoyar el futuro de la fiesta en Baleares.

La jornada estará compuesta por catorce novillos, que se lidiarán en dos turnos —siete por la mañana y siete por la tarde—, con un descanso intermedio para facilitar la participación de todos los actuantes. El objetivo es ofrecer un formato abierto, festivo y participativo, donde el público pueda disfrutar de una experiencia taurina completa.

‘Queremos que este festival sea un homenaje a la afición y a los jóvenes que mantienen viva la llama del toreo en Mallorca. Ellos son el presente y el futuro de nuestra tauromaquia’, destacan desde la organización.

La empresa barrunta un éxito rotundo, ya que la respuesta de los aficionados está siendo entusiasta. La afición mallorquina ha mostrado su deseo de apoyar a sus toreros locales, conscientes de que este evento supone un paso decisivo en la recuperación y promoción de la fiesta en la isla.

Este festival no solo representa una cita taurina, sino también una celebración cultural y social, en la que se pone en valor el trabajo, la ilusión y el esfuerzo de toda una generación de novilleros que llevan con orgullo el nombre de Mallorca en el mundo del toro.

https://www.mundotoro.com/noticia/balears-cambio-de-tercio-anuncia-un-festival-en-mallorca-en-el-mes-de-diciembre/1902659

Gran ambiente para la corrida de Catrinas de Aguascalientes


(mundotoro.com 11-2-25)

Aguascalientes celebra este domingo 2 de noviembre la tradicional corrida de Catrinas, en el marco de la Feria de Calaveras 2025. Lo hace bajo una gran  expectativa y un ambientazo por ver al triunfador de la feria de otoño en Madrid Emilio de Justo, quien además se ha convertido en un consentido de la afición hidrocálida, y hoy partirá plaza con con los triunfadores de la feria San Marcos, 2025, Diego Sánchez y Arturo Gilio, dos de los toreros jóvenes más importantes del país azteca, que viene apretando fuerte.

Una corrida serie y bien presentada, ha llevado a la monumental hidrocálida, la ganadería de Las Huertas, triunfadora de la última temporada de la plaza de toros monumental México. 

https://www.mundotoro.com/noticia/gran-ambiente-para-la-corrida-de-catrinas-de-aguascalientes/1904569

Lima pone por primera vez en su historia dos ‘No hay billetes’ consecutivos

(mundotoro.com 10-30-25)

La plaza de toros de Acho está a las puertas de vivir un fin de semana histórico. Por primera vez en sus más de doscientos años de historia, Lima ha colgado el cartel de ‘No hay billetes’ para los dos festejos que se celebrarán. Dos corridas que han despertado una enorme expectación gracias, en gran parte, al trabajo realizado por su empresario, Tito Fernández.

Si hace dos días Roca Rey lograba agotar las localidades para su encerrona del domingo, 48 horas antes ya se ha conseguido el mismo resultado para el festejo del sábado, en el que harán el paseíllo Sebastián Castella, Alejandro Talavante y David de Miranda.

https://www.mundotoro.com/noticia/lima-pone-por-primera-vez-en-su-historia-dos-no-hay-billetes-consecutivos/1904165

Telemadrid crece un 19% en audiencias hasta octubre, con el mejor mayo en 13 años gracias a los toros

(mundotoro.com 10-29-25)

La televisión pública autonómica de la Comunidad de Madrid (Telemadrid) bate sus récords de audiencia en 2025 con un crecimiento del 19% hasta el mes de octubre y con las mejores audiencias del mes de mayo en 13 años, a causa de la transmisión en directo de la Feria de San Isidro. El ciclo batió récords de audiencia históricos y animó a un crecimiento progresivo de la web Telemadrid.es, que superó los 7 millones de usuarios, al tiempo sus redes sociales lograron también un récord absoluto.

Los Telenoticias, con un contenido taurino que incluye la emisión en directo del informativo desde el Palco Real de Las Ventas y entrevistas en el estudio a toreros, alcanzan una media de más de 100.000 espectadores y un 11,2% de share. El Telenoticias 1 lidera su franja informativa con un 14,3% de share. Y en el fin de semana, los informativos alcanzan una media de 12,3%, consiguiendo los mejores datos de mayo de los últimos 17 años.

Un seguimiento taurino que se afianza en Telemadrid.es. En las emisiones simultáneas de los festejos emitidas en nuestra página web se ha registrado un consumo histórico de vídeo. A la audiencia de la Comunidad de Madrid hay que sumar la del resto de España y la del ámbito internacional.

En concreto, se han registrado más de 4 millones de visualizaciones de vídeo en Telemadrid.es.

Más de 103 millones de minutos vistos, con México, Francia, Portugal, Colombia, Perú y EE. UU. como principales mercados internacionales. El directo en streaming explica el 83,3% de los datos de vídeo. La audiencia internacional suma casi 13 millones de minutos de consumo.

De este modo, la web de Telemadrid ha duplicado sus páginas vistas, superando los 7 millones de usuarios y, en redes sociales, también récord absoluto. El canal de Telemadrid en YouTube ha alcanzado más de 5,4 millones de visualizaciones y récord en usuarios únicos (+2,7 millones). En TikTok se han registrado más de 28 millones de visualizaciones y en Instagram, 6,6 millones.

https://www.mundotoro.com/noticia/telemadrid-crece-un-19-en-audiencias-hasta-octubre-con-el-mejor-mayo-en-13-anos-gracias-a-los-toros/1904072

November 6, 2025

Acho se llena hasta la bandera en la encerrona de Roca Rey

(mundotoro.com November 2, 2025)

Acho vive este domingo una jornada para la historia del toreo en Perú. El coso peruano se ha llenado hasta la bandera – como ya lo hizo ayer – para la encerrona de Roca Rey en su plaza, con su gente, como celebración de los 10 años de alternativa de la máxima figura del toreo en la actualidad. Los aledaños de la plaza de Lima atestiguan la expectación que hay ante este festejo. Roca lidia en solitario seis toros de las ganaderías de Paiján, Domingo Hernández y Núñez del Cuvillo. 

https://www.mundotoro.com/noticia/acho-se-llena-hasta-la-bandera-en-la-encerrona-de-roca-rey/1904568

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(link for more photos)

https://www.mundotoro.com/noticia/la-mejores-imagenes-de-la-encerrona-de-roca-rey-en-acho/1904595







La encerrona de Roca Rey en Perú centra la jornada americana

La primera corrida en solitario del peruano centra la atención de una jornada con toros en Aguascalientes, Guadalajara, Monterrey o Tlaxcala

(mundotoro.com November 2, 2025)

El domingo 2 de noviembre viene cargado con una fuerte programación taurina americana, en la que todos los focos están puestos sobre la plaza de toros de Acho y de la figura de Andrés Roca Rey. La primera encerrona en la carrera del diestro peruano en conmemoración de sus diez años de alternativa se postula como el plato fuerte de la jornada taurina en América.

Un festejo de alto interés que ya ha colgado el cartel de ‘No hay billetes’ con antelación y que se suma al que también se logró ayer en la penúltima corrida de la Feria del Señor de los Milagros 2025.

https://www.mundotoro.com/noticia/la-encerrona-de-roca-rey-en-peru-centra-la-jornada-americana/1904467

November 2, 2025

Fallece Rafael de Paula a los 85 años


(mundotoro.com 11-2-25)

El matador de toros Rafael Soto Moreno, conocido universalmente como Rafael de Paula, ha muerto a los 85 años de edad en su domicilio de Jerez de la Frontera, de donde no salía desde hace días. Nacido en el Barrio de Santiago de Jerez de la Frontera el 11 de febrero de 1940, Rafael de Paula ha sido una de las figuras más carismáticas de la historia del toreo. Un maestro que se convirtió en torero de culto para varias generaciones gracias a su arte, elegancia y singularidad delante de la cara del toro.  

Su debut se produjo en Ronda, en mayo de 1957, en una plaza que años después sería también escenario de su consagración. Tres años más tarde, en 1960, recibió la alternativa en ese mismo coso, de manos de Julio Aparicio en presencia de Antonio Ordóñez.

Su confirmación en Madrid tuvo lugar en mayo de 1974, con el portuense José Luis Galloso como padrino. El toro de la ceremonia se llamó ‘Andadoso’, de la ganadería de José Luis Osborne. Su carrera, marcada por altibajos y por una relación casi mística con el arte, ha sido considerada una de las más singulares del siglo XX.

Su retirada de los ruedos se produjo el 18 de mayo del año 2000, tras una emotiva corrida en Jerez, su tierra natal, en la que no dio muerte a sus dos toros, cortándose la coleta. Un instante lleno de profunda emoción para el torero y para la tauromaquia. 

El Ministerio de Cultura reconoció su trayectoria en 2002, cuando le concedió la Medalla de Oro al Mérito en las Bellas Artes, un galardón reservado a quienes han contribuido de forma excepcional a la cultura española. 

Desde Mundotoro, queremos mandar nuestro más sentido pésame a familiares y amigos por esta dura pérdida.

https://www.mundotoro.com/noticia/fallece-rafael-de-paula-a-los-85-anos/1904501

October 14, 2025

What a busy weekend

This past week/weekend was huge in the world of the bulls. There is lots of photos to come and lots of information to go over but I am going to need a few days to digest it all.

In the meantime enjoy this classic Dwight Yoakam video.



Un toro blanco de Osborne

Madrid

October 12, 2025

 

October 8, 2025

Some good news

Finally some good news, the bill put up by the anti-bullfight politicians in Spain went to a vote yesterday  and it went down in flames, thank the Lord.

Below is an editorial from Mundotoro from today and also a small article from yesterday reporting on the failure of their bill.

I don't know much about Spain's political parties, and that is probably a good thing. (I'll keep our two party system of politics thank you very much.) It seems like they have several political parties with seats in their Congress and a large portion chose not to vote. Those representatives that did vote voted 3 to 1 in favor of keeping the bullfight protected as a "patrimonio cultural."

A victory for us, the lovers of culture and the bulls.

So at least for now we can sleep a little more sound. 

But I am sure the peace won't last long, the bullfight is constantly under attack by the uneducated, and there are a lot of uneducated persons out there.

Apología de la tonta y el tonto


(mundotoro.com October 8, 2025)

Cuando todos, incluidos Yolanda Díaz y Ernest Urtasun, pensaban que, por decoro entre partes (las nobles, no, PSOE y SUMAR) los socialistas iban a votar a favor de la tramitación de la ILP contra la consideración del toreo como cultura, apareció la sorpresa: el PSOE se abstuvo. El petardo de Urtasun y Yolanda es del tamaño del petardo de las pretendidas 37 horas laborales y otros más. La temporada de estos dos ases del escalafón político es de traca. Se les queda cara de yo no he sido y uno no sabe si la villanía que les atribuimos es, simplemente, estupidez. Osea, que son tontos.

Sobre la estupidez se dijo que todos los que parecen estúpidos lo son y, además, también lo son la mitad de los que no lo parecen. El petardo de Sumar, Junts, Podemos, ERC, BILDU y los también vascos del PNV, es un ridículo político medioambiental. En estas siglas los hay de extrema muy derecha y hasta xenófobos (filas de Junts) amanuenses de cirio y vela apegados al clero vasco de sotana (PNV) nacionalistas sin más, independentistas con más, republicanos, antimonárquicos, generales machos alfa, cabos gays, adultos sin edad de botellón universitario en Podemos… Efectivamente, hay dos cosas infinitas, el Universo y la estupidez. Y, como dijo Einstein, lo del Universo no está claro.

Lo del PNV es para enmarcar. Vive este partido mirando, no de reojo sino con descaro, lo que hace EH BILDU. Porque le come ya la tostada en la comunidad vasca. Como los de sotana y alzacuellos no tienen propuestas, proponen votar con BILDU a compás, no sea que le arañen más votos. Su estupidez es cumlaude. El PNV aún no es consciente de que ha sido su apego a este gobierno lo que ha blanqueado y lanzado a BILDU. Si los descendientes de Josu Ternera no hubieran tenido el altavoz y la visualización que les da este gobierno, en el País Vasco la tostada aún se la comerían ellos. Al PNV se le han atragantado los toros.

Hay una especie de regreso a la cordura en esta votación. Puede ser azarosa. No mucha, pero algo la hay en esta España de Caín y Abel, en donde cada muerto de toda época (da igual la Guerra Civil que Palestina) vota. Este es un país donde los muertos no ayudan al voto, es que votan. Los vivos votan a compás del uso perverso del muerto, al que resucitan para votar. A compás de la figura del toreo más hábil y más ladino de la historia del toreo, que es la de España. El más listo de la clase: Pedro Sánchez. Resulta esotéricamente incomprensible desde la lectura política esta abstención que jode profundamente a Sumar, socio en el Gobierno. O resultaría.

Porque Pedro Sanchez es capaz de mandar mensajes visuales a Yolanda y a Urtasun para decirles: este es nuestro sitio, ubicaros. Es decir, sois dos estúpidos o tontos útiles. Eso por una parte. Por otra, en esta campaña constante que es la vida política, Sánchez anda ganando espacio por el lado de su izquierda.  Fagocita votos por la izquierda (Sumar y Podemos) con quienes, de cuando en vez, ha de diferenciarse. Por tanto, la abstención en la votación forma parte de un dejar claro quien manda y quien los ha puesto (a Yolanda y a Ernesto) y, por otra, es el mensaje de que no todos somos tan estúpidos. No vote a un estúpido, vóteme a mí.

Razones para que se vayan a sus casas Urtasun y Yolanda tienen más que granos de arena la playa de Sanlúcar. Un torero que va de petardo en petardo, se corta la coleta. Pero… ¿dónde van a ir esos muchachos metidos en edad si dejan el pesebre? Aún sabiendo que trabajar no es indigno, aplican su única no estupidez a su espalda: ¿trabajar? Estos que demandan pan y trabajo son ‘neopijos’ que exigen  pan y trabajo, al tiempo que, entre cañita y cañita, se parten lo de atrás afirmando que el pan engorda y que el trabajo mata.

Por vergüenza torera y por mucho menos los ha habido que se han ido a su casa o se han tapado. Urtasun, al que han puesto de Ministro de Cultura porque ser esto en España es una ‘neojubilacion’ honorífica que delata la insolvencia intelectual de quien es nombrado, es un don nadie estúpido. Tonto, con las dos ‘o’ muy bien enfatizadas. Y Yolanda es vicepresidenta con el poder que en el gobierno tendría el presidente de una finca con siete vecinos. Urtasun se ha creído que lo es, Ministro de Cultura, y Yolanda se ha creído que lo es, vicepresidenta. Tontos. Eso sí, caro nos cuesta este elogio y apología de la estupidez humana. España hace apología del tonto y de la tonta creyéndose ambos reyes del mambo.

https://www.mundotoro.com/noticia/apologia-de-la-tonta-y-el-tonto/1900236