August 30, 2018

La gran foto de Andrew Moore: El Toreo es Grandeza

Plaza de Toros Las Ventas, Madrid, March 26th, 2017



(from the La Querencia Facebook page 3-30-17)

La foto de Andrew Moore que muestra las cuadrillas arropando a Pablo Aguado, el joven novillero arrollado por... el toro el pasado domingo día 26 de marzo, en Las Ventas ha sido muy comentada y compartida.

Para mí que es una de las mejores fotos taurinas de la historia. Su construcción clásica, piramidal, el hieratismo de los personajes como congelados en el tiempo, todo me recuerda irresistiblemente ciertas obras maestras de la pintura renacentista o posrrenacentista.

Es impresionante la belleza de esta composición humana, a la vez compacta y diferenciada, alrededor del novillero herido. Creo efectivamente que se impone el calificativo “crístico”. La impresión inmediata es la de la emoción compartida, de la estrecha solidaridad colectiva. Pero en seguida nos damos cuenta de que esta hermosa piña humana está compuesta de individuos perfectamente caracterizados. Cómo si Andrew Moore hubiese construido pacientemente esta obra maestra en la tranquilidad del estudio y no apurado por la irreversibilidad del instante.

Irreversibilidad del instante que es sin duda la definición básica de la excepcionalidad de torear. En esta foto no se ve al toro, no se presencia ningún lance taurino, y sin embargo pocas fotos representan mejor la esencia de la fiesta de los toros : solidaridad, sacrificio, comunión humana y pureza ética. Todo lo contrario del teorema animalista abstracto, cuya única dimensión humana es, en el fondo, la deletérea autocompasión.

Por @javiertorear
Belleza, grandeza y ética sobre una foto de @andrewmoore100 ( J.P. Cazajus)

 

August 25, 2018

Plaza de toros Las Virtudes


(porsolea.com 5-7-16)
 
La Plaza de Toros cuadrada de Las Virtudes se encuentra ubicada en las Virtudes, pedanía de Santa Cruz de Mudela, un pueblo perteneciente a la provincia de Ciudad Real.
 
La plaza es originaria del año 1641, pues aparece esa fecha grabada en el dintel de la puerta conocida como “Casa de la Despensa”, y está considerada como la plaza de toros cuadrada más antigua del mundo que aún se conserva.

La plaza de toros forma un solo conjunto arquitectónico junto a la ermita adyacente (Santuario de Nuestra Señora de las Virtudes), que fue declarado Monumento Histórico Nacional en abril de 1981. Este singular espacio se desarrolló en torno a la ermita como una plaza urbana convertible en coso taurino, de ahí su forma cuadrada.

 
 
En cuanto a su fisionomía destaca la sillería clásica, galerías altas de madera con zapatas y balaustrada pertenecientes a casas particulares y sus encalados muros de piedras, junto al inconfundible cuerpo de la ermita.
 
Esta plaza también fue utilizada como corral de comedias, dándose allí los espectáculos de titiriteros y comediantes que pasaban por la zona de Castilla La Mancha.
 
La plaza fue restaurada por el Ministerio de Cultura en 1984.
 
Curiosamente la ermita está adosada a la plaza de toros, y ambas estaban en el terreno propiedad del señorío del Marqués de Santa Cruz hasta que este lo donó a la corona española en el año 1540, ese terreno fue usado como campamento y almacén para guardar el armamento y servir de avituallamiento de las tropas.
 
 
 
La ermita es anterior a la plaza, ya que sus construcción data del siglo XVI (de la que hoy quedan restos en la cripta) y tras la aparición de la Virgen de las Virtudes a principios del siglo XVII, y la devoción del Marqués de Santa Cruz D. Álvaro de Bazán, fue ampliada y renovada, construyéndose un camarín para la Virgen y un nuevo retablo.
 
La Iglesia contiene pinturas del arte barroco, siendo los mejores frescos del barroco ciudadrealeño. Lamentablemente para ver el interior si no es día de misas, la visita depende de que la persona encargada de las llaves esté por el lugar para que se pueda acceder a la Iglesia.
 

August 16, 2018

Celebrating 5 years of blogging about La Fiesta Brava

August 16, 2013 was my first post here on blog Plaza de Toros.

It's been a great 5 years, I always enjoy learning new things and blogging about la fiesta brava. I've especially enjoyed finding out as much information as possible about bullfights in the United States, past and present.

Here's to another 5 years, and que viva la fiesta!

Jose Maria Manzanares in Dax, France

August 15, 2018

Pink and blue capote


(photo from the Arte Bravo Facebook page, 7-30-18)

The majority of capotes you see are pink on one side, yellow on the other.

But every once in awhile you see other colors too. I've seen, pink and green, pink and purple, and also pink and blue.

Banderillas en Tijuana


(photo from the Arte Bravo Facebook page, 7-30-18)

August 14, 2018

An Open Letter to the (new) Mayor of Pamplona

Written by Chapu Apaolaza

Translated into English by Alexander Fiske-Harrison

www.thelastarena.wordpress.com July 4th, 2018

https://thelastarena.wordpress.com/2018/07/04/an-open-letter-to-the-new-mayor-of-pamplona/

Dear Mayor of Pamplona,

We have been surprised, we the people of Pamplona, the celebrants of San Fermín, the lovers of the bulls and half the world in general, with some of your statements in which you affirm that although you cannot see a Fiesta of San Fermín without bulls, “but without corridas – ‘bullfights’ – yes.”

Mr Mayor, allow me to make a point. There already exists a San Fermín without bullfights, precisely the San Fermín of all those who decide not to go to the bullring, for whatever reason, in an exercise of free will, and who do not participate in the part of the program of festivities that has to do with bulls. The people of Pamplona and its visitors can choose the option of participating in any of these events, including bull-related ones, on equal terms and without having to feel less than anyone else.

There is no need to explain that the bull in the bullring and the encierros – ‘bull-runs’ – are in the historical DNA of the fiestas of the capital of Navarre, at the least since the fourteenth century. The toro bravo, ‘brave bull’, both in the bull-run and in the bullfight has been a fundamental linchpin for the celebrants of San Fermín, within the Fiesta itself and in the dimension of it that faces towards the world outside. For us, the bull represents both a totem and a fundamental figure from July 6th to 14th, of which we are proud and in which lies a great part of this phenomenal celebration of life that are the Fiestas of Navarre. We also understand that the bull-run is because there is a bullfight. [The one leads – historically, metaphorically and literally – to the other – AFH]

All in all, the Fiesta of San Fermín is many things. We attend a great cultural tradition that each person lives in their own particular way. For some, the essence is the bull-runs, for others the Procession and the religious events, the Procession of the Giants, the family meals, the rural sports, the bulls in the ring, the fairground or reunions with friends.

There is not one ‘single’ San Fermín, we do not want there to be only one single San Fermín, we do not understand it that way, but we warn that within this diverse and universally welcoming Pamplona, the bullfights are important to many. The reason is that bullfighting in Pamplona is very much ours, perhaps it is one of the most defining cultural elements of who we are. Because our bullfights not only share almost everything with the universal cultural legacy that is ‘bullfighting’ in the wider world, but our bullfights are also special, and different from those held in Lima in Peru, in Nîmes in France, in Seville in the south, in Aguascalientes in Mexico, in Azpeitia in the Basque Country, in Lisbon over the border, in Madrid, in Mexico City, in Bogota in Columbia or in our sister city Bayonne in France.

Pamplona has ‘the bull of Pamplona’, ‘the bullfighters of Pamplona’, and the famous sunny side of the bull-ring of Pamplona, the sound of Pamplona and especially the exemplary generosity and charity, embodied by – as is often pointed out by outsiders as example – the Casa de Misericordia, ‘House of Mercy’. [For over three centuries the bullfights in Pamplona have been arranged by, and held for the benefit of, this charitable institution for the poor, sick and elderly – AFH]
Bullfights make up our identity – among other things – and they are a fundamental part of the expression of own culture.

You, the esteemed mayor of all the people of Pamplona, wonder if a city is possible in which the identity of a part of it disappears? San Fermín without bullfights, without that which sustains a section – more, less, it does not matter – of its citizenry and its visitors? A debate that wonders – at the behest of terrorist violence and the threat of animal liberation movements – whether cultural censorship should be exercised upon this culture, exercised on a section of the people that you also represent and protect, and which would be an attempt to steal  one of its fundamental expressions?

It is not a matter of whether there can be many San Fermíns, but if we are going to allow there to be only one. It is not necessary for you to talk about the need for a plural fiesta in a plural city. The tolerance that on many occasions has been legitimately claimed for other sensitivities is what we now demand for the bullfights and the bull-runs from July 6 to 14 in the name not only of what we feel, but also that of freedom and diversity. There is not only one Fiesta; we do not allow this. In recent years, Pamplona has fought to become the capital of coexistence and respect, and has become a symbol and a place where men and especially women can feel comfortable and respected. We are convinced that this respect must be maintained towards all the types of tradition and culture of the inhabitants of the city and the members of the universal brotherhood of San Fermín.

Maybe there is the temptation to rebut me by saying that “bullfighting is not culture.” But that is something that neither you nor I can decide. Only the city, the one that crowds the Monumental bullring of Pamplona every afternoon, can decide if the bulls are an expression of their popular culture or not. This is something that UNESCO reminds us in all its international treaties on cultural diversity, subscribed to precisely so as to avoid ‘the few’ being tempted to decide what is culture and what is not. Aside from bullfighting, can you imagine a Fiesta in which a part of the population believed that they had the right to prohibit the entertainment of others?

That is not the fiesta that I envisage, Mr. Mayor. Would a Pamplona without bullfighting be possible, you ask? I guess so. As it would be possible a Pamplona without its universities, without its religious expressions, without its Castilian or its Basque language, without Sarasate or Barricada, without its jotas and its dantzaris.

[Pablo de Sarasate was a famous late 19th century violinist and composer from Pamplona. Barricada is a Navarrese hard rock band from Pamplona. A jota is a genre of music and dance of which the indigenous Navarrese variant is strikingly beautiful. Dantzaris are a group folk dance from Pamplona – AFH]

Of course it would be possible. But it would not be Pamplona anymore.

Chapu Apaolaza
Portavoz de la Fundación del Toro de Lidia

‘Spokesman of the Foundation of the Fighting Bull’

August 13, 2018

A Matador's Mistress


2008

Storyline - "A Matador's Mistress" is a tragically eloquent dance of the cold brutality of uncommitted love and the high stakes of the Bullfight. Immerse yourself in the culture of Spain surrounding the age old traditions of the Matador. While the bullfight is controversial by today's standards, the ancient art-form is depicted with unflinching realism. The story is of man against beast, the bullfighter's zen, if you will; his nightly dance with death. A world-class lover enters his world; their code is their truth. Life being lived, edgy, relentlessly flirting with disaster, untamed, beautiful.

         
Staring Adrien Brody as Manolete (the best bullfighter to ever live some say,) and Penelope Cruz as his lover Lupe Sino, this film got quite a bit of hype I remember because of these two actors.

Sadly, I don't think the film ever lived up to they hype.

I did buy the DVD when it came out though and I watch it every once in awhile, I think it is a decent movie.

The problem the film seems to have, at least to me, is it doesn't know what it wants to be. A film about bullfighting, a love story, a documentary of sorts, what?

Good example, the final bullfight scene where Manolete is gored, and ultimately dies from that injury, the bullfight scene is interrupted by scenes of him and Lupe having awkward sex, and then there are also scenes of Lupe driving away in her sports car but crying as if she knows what is happening to Manolete in the plaza.

It was hard to watch, a very well filmed bullfight scene was being interrupted by weirdness.

Oh well, it is what it is.

I still recommend it for the bullfight fans out there.



August 10, 2018

El rejoneo en Huelva


August 5th, 2018

Interesting photo, I don't think I've seen a rejoneador use a jacket before to entice the bull.